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“There is a pervasive form of contemporary violence to which the idealist most easily succumbs: activism and overwork. The rush and pressure of modern life are a form, perhaps the most common form, of its innate violence. To allow oneself to be carried away by a multitude of conflicting concerns, to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything, is to succumb to violence. The frenzy of our activism neutralizes our work for peace. It destroys our own inner capacity for peace. It destroys the fruitfulness of our own work, because it kills the root of inner wisdom which makes work fruitful.”

— Thomas Merton, Conjectures of a Guilty Bystander

“That life is difficult, I have often bitterly realized. I now had further cause for serious reflection. Right up to the present I have never lost the feeling of contradiction that lies behind all knowledge. My life has been miserable and difficult, and yet to others, and sometimes to myself, it has seemed rich and wonderful. Man’s life seems to me like a long, weary night that would be intolerable if there were not occasionally flashes of light, the sudden brightness of which is so comforting and wonderful, that the moments of their appearance cancel out and justify the years of darkness.”

— Hermann Hesse, Gertrude (trans. Hilda Rosner)

“[In] an evolved society there are no innocent victims of propaganda. Propaganda succeeds because men want it to succeed. It works on minds because those minds want to be worked on. Its conclusions bring apparent light and satisfaction because that is the kind of satisfaction that people are longing for. It leads them to actions for which they are already half prepared: all they ask is that these actions be justified. If war propaganda succeeds it is because people want war, and only need a few good reasons to justify their own desire.”

— Thomas Merton, Conjectures of a Guilty Bystander (1966)

“Well, some of these old films I feel now that I was too impressed with movies I had seen and I only learned later on in my career that it was better not to refer to other movies but to refer to experiences you had on your own. The new films that were not really quoting other movies, I think I was happy with now in hindsight.”

— Wim Wenders, Collider

I recently rediscovered a copy of Marguerite Duras‘ fiction that had been packed away in a spare room for several years. It is a 1977 edition of “three novels” from publisher John Calder, short pieces offering English-speaking readers an introduction to the French post-war writer. The first novel within, entitled The Square (Le Square, 1955), presents a conversation between a servant girl and a commercial traveller as they sit in a city square. Duras renders the two strangers’ conversation with beautiful economy of expression; her prose style simply conveys their words, with occasional observations of their surroundings. As their exchange develops, the two share reflections on living a meaningful life.

What follows are a few choice quotations from Duras’ novel, translated into English by Sonia Pitt-Rivers and Irina Morduch. (more…)