On poets and their work
by Rhys Tranter on
William Blake, Newton (1795–c.1805). pic.twitter.com/r6ABVDgTSI
— Rhys Tranter (@RhysTranter) March 9, 2018
Today marks International Women’s Day, which has commemorated the struggle for women’s civil rights throughout the twentieth century. The day was originally known as International Working Women’s Day, and for most of its history has been connected with socialist movements and communist states such as China and Soviet Russia. In the mid-1970s, during the height of Second Wave Feminism, the UN recognised International Women’s Day and invited its member states to do the same.
Archival excavation and detailed contextualisation is becoming increasingly central to scholarship on literary modernism. In recent years, the increased – and often online – accessibility and dissemination of previously unpublished or little-known texts has led to paradigm-shifting scholarly interventions across a range of canonical and lesser-known authors, neglected topics, and critical methodologies including genetic criticism, intertextuality, book history, and historical documentation. This trend is only bound to increase as large-scale digitisation of archival materials gathers pace, and existing copyright restrictions gradually lapse.
These two book series have been at the forefront of this burgeoning trend, and this international conference will take stock of these developments. Above all, it will also point forwards, towards future avenues of research. The authors and editorial board members connected with the series will reflect upon the ‘state of the art’ regarding archive-based research within their particular sub-discipline, connecting this to Modernism Studies as a whole. The provisional paper titles listed below reflect their responses to this invitation. (more…)
“It’s a rare piece of critical writing that can contemplate a mystery and deepen our understanding of it without “solving” it. This is criticism with the open-ended power, yet also the ambiguity, of the creative genius from whom it is derived. There is too much in this collection that doesn’t deserve renewed scrutiny; but when Ms. Smith is writing at her best, she is free, unfettered and alive.”
— Maureen Corrigan, WSJ
— Cynthia Haven, The Book Haven