Richard Brody on the final film of the late Agnès Varda, who died in March at the age of ninety:
“The sublime originality of the work and the life of Agnès Varda, who died in March, at the age of ninety, provides her last film, “Varda by Agnès” (screening October 9th and 10th), with both its subject and its form. It’s a personal journey through her career, centered on a series of public lectures, interviews, and conversations that mesh with clips from her work—museum installations and videos as well as movies—and with staged sequences that provide a theatrical context for her reminiscences and reflections. “Varda by Agnès” is a fitting valedictory work that, in its retrospective illuminations, nonetheless pushes Varda’s own aesthetic relentlessly forward: it’s an exemplary illustration of the very concept of the auteur, of the director as prime creator, an idea which—though she was never a critic and never advanced it in theory—her body of work exemplifies as strongly as anyone’s has done, now or ever.”
Source: The New Yorker.
“Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.”
— John Berger, The Shape of a Pocket
Anticipating the release of A Beautiful Day In The Neighborhood, journalist Tom Junod has reflected on the friendship with Fred Rogers that inspired the film. Drawing from personal correspondence, he explores why Mister Rogers remains relevant as an important cultural icon.
Source: The Atlantic.
“The most important thing in life is not happiness but meaning.”
— John M. Hull, Notes on Blindness
Set in the summer of 1983,
Notes on Blindness
is a beautiful 2016 documentary that explores the life of
writer and theologian John M. Hull.
Based on his memoir, Touching the Rock,
the film offers a deeply personal account
of an academic who permanently loses his vision
while anticipating the birth of his son.
Filmmakers Peter Middleton and James Spinney
draw from audio cassettes recorded by Hull at the time,
which attempt to explain and understand
the experience of blindness
through vivid philosophical reflections
on everyday events and experiences. (more…)
“Writing is to write for oneself.”
Marguerite Duras, Me & Other Writing:
A new collection of non-fiction essays, translated for the first time into English by Olivia Baes and Emma Ramadan.
Introduction by Dan Gunn.
As we enter a new phase of social, political and economic uncertainty, Christopher Petit’s 1979 film Radio On has a new relevance.
Released forty years ago this year,
Radio On‘s dark vision of Britain
on the cusp of inevitable change
speaks to our time
in stark and revealing ways.
“The growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
— George Eliot, Middlemarch
Terrence Malick‘s A Hidden Life has debuted at this year’s Cannes Film Festival. It is the American filmmaker’s second work to be based on the events of the Second World War, and tells the story of Franz Jägerstätter, a conscientious objector who was executed by the Nazis in 1943. Writing for The Los Angeles Times, Justin Chang has praised Malick’s latest work as a return to form and “a spiritual call to arms”:
“At its simplest level, A Hidden Life exists to disprove the snarling Nazi soldiers we hear telling Franz that his act of protest is meaningless and that no one will ever remember him. (They have admittedly already been disproved, thanks to the scholarship of Gordon Zahn and Thomas Merton, as well as a 2007 papal declaration of Jägerstätter as a martyr.) But it is also a call for moral vigilance in any era, the present one very much included…”
Source: The Los Angeles Times