Motion pictures and film criticism
Just read an interesting piece in The New York Review of Books by Ruth Franklin, author of the recent biography, Shirley Jackson: A Rather Haunted Life. (I was drawn to the sensationalist headline: ‘A Deep American Horror Exposed‘.) The piece is a review of Joyce Carol Oates‘ new work, A Book of American Martyrs, a novel that explores the troubled inner life of an anti-abortion activist is driven to murder in the name of his cause.
This is not the first time that Oates’ writing has ventured into pressing contemporary issues. As Franklin remarks, “Oates’s fiction has confronted some of the most morally troubling episodes in the recent American past,” and cites Black Water (1992) and the recent Carthage (2014) as prominent examples. What is significant about A Book of American Martyrs, for Franklin, is its ability to frame social issues with an attention not just to their complexity, but to politically and economically disenfranchised groups: “Like much of Oates’s other recent work, it is clearly an attempt to speak for ‘those unable to speak for themselves’—the uneducated white working class.” (more…)
Today marks International Women’s Day, which has commemorated the struggle for women’s civil rights throughout the twentieth century. The day was originally known as International Working Women’s Day, and for most of its history has been connected with socialist movements and communist states such as China and Soviet Russia. In the mid-1970s, during the height of Second Wave Feminism, the UN recognised International Women’s Day and invited its member states to do the same.
Since the Women’s March on Washington earlier this year, there has been an increased level of vigilance on issues surrounding women’s civil rights in the United States. Many basic political, economic, and cultural entitlements have fallen under threat, and thousands of grassroots campaigns have mobilised all over the country to respond. To mark this year’s IWD, the Women’s March on Washington has called for A Day Without A Woman, a one-day demonstration of economic solidarity for ‘equity, justice and the human rights of women and all gender-oppressed people’.
Reads for IWD 2017
- Celebrating the Rise of Superwomen: Carolyn Cocca discusses how women superheroes are changing the we way think about contemporary femininity
- A Visit to Doll Hospital: Bethany Rose Lamont on a print journal that discusses mental health issues through art and literature
- Lauren Elkin on her new book, Flâneuse: Lauren Elkin on the politics of women walking in the city, and the pioneering writers who influenced her
- Alice Munro: Master of the Contemporary Short Story: Robert Thacker discusses the life and work of the Canadian Nobel laureate
- Women Writers at the Movies: Lisa Stead discusses the influence of cinema on a generation of interwar women writers
- International Women’s Day 2016: Celebrate International Women’s Day with a host of interviews and articles across literature, film, and art
Masthead Photograph: Artist Louise Bourgeois in her home studio
What inspired you to write the book?
I have lived in Woking since 1971. Over time I became increasingly aware of the town’s links with H.G. Wells’ The War of the Worlds. Woking is the place where he researched, wrote and set the book. My house is located within one mile or so of both Horsell Common, where Wells’ Martians landed, and 141 Maybury Road, the house where Wells wrote the story. Apart from walking the trail of the story and reading his books, during the late 1980s I began researching Wells’ correspondence, most notably that held by archives at the University of Illinois at Urbana-Champaign, the Harry Ransom Center at the University of Texas at Austin, and Yale University Library. This research was basically undertaken out of personal interest rather than with a view to publication, since as a professor of history my principal areas of research and publication were the history of British foreign policy and international organisation. RAE pressures – my membership of the RAE History panel for the 1992 and 1996 RAEs made me acutely aware of these – left no time for other research topics. However, I taught a course at Kingston University on ‘Literature, Art and War 1860-1920’, and introduced The War of the Worlds as one of the war scare set texts alongside The Battle of Dorking. I began to write up my research about Wells’ The War of the Worlds only in 2012 after finishing two contracted books: Using history, making British policy: the Treasury and the Foreign Office, 1950-76 (2006) and Presenting History: Past and Present (2012). A further source of inspiration was my membership of a Woking Task Group set up in 2013 to organise a programme of events celebrating Wells’ links with Woking in 2016, a year marking the 150th anniversary of his birth and the 70th anniversary of his death. I represented the H.G. Wells Society on this task group. (more…)
A selection of the articles, reviews, interviews and miscellany that have caught my eye this week. Highlights include: an interview with President Barack Obama on his life as a reader and writer; the late Mark Fisher’s discussion of post-punk group Joy Division; a free Yale course on the American Novel since 1945; and much more.