“I translate it in my head as ‘far away from here’, the longing to be elsewhere.”
In a recent interview with Granta, Teju Cole discusses his new book of photographs, Fernweh (literally, ‘far-woe’). Source: Granta Magazine.
“In our current era of uprooting, thanks to economic policies that have created mass homelessness again in California and crushing debt across the nation, Lange’s images seem immediate, urgent, thorny again, questions that demand answers.”
Rebecca Solnit discusses a 1956 portrait by Dorothea Lange for an upcoming exhibition of her work at the The Museum of Modern Art. Source: The Paris Review.
“I’d rather reject the terms optimistic and pessimistic. They suggest a calculation of how things are going to evolve, and if it’s going to evolve in the way you want, you’re optimistic. That has very little to do with despair and hope. Hope is not a form of guarantee, it’s a form of energy, and very frequently that energy is strongest in circumstances that are very dark.”
— John Berger, who died on 2 January 2017.
“Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.”
— John Berger, The Shape of a Pocket
Noted AIDS researcher Jay A. Levy became friends with Samuel Beckett after encountering his work as a student. This portrait, taken in Beckett’s home, was among books, letters, and memorabilia that Levy and his wife recently donated to Wesleyan University.
“A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety.”
— Ansel Adams
“It’s the start of 2016, and Smith’s friend Pearlman—a producer and rock critic—has been hospitalized after a brain hemorrhage. As he lies in a coma, Smith recounts the tumultuous year that follows—the loss of friends (Sam Shepard is nearly bedridden), the horror of the imminent election and rise of nationalism, and the impending climate crisis. A reflection on mortality, the book retains Smith’s characteristically flat tone as she wanders through stretches of Arizona, California, Virginia, and Kentucky, stopping at diners for black coffee and onion omelets and conversations with strangers. She hitchhikes from San Francisco to San Diego and back, travels as far as Lisbon, and returns home to the quiet of her Rockaway bungalow to stare at the flowers. All the while, she describes the mundane details of life with incredible vividness…”
Camille Jacobson on
Year of the Monkey,
a new memoir from Patti Smith.
In these dark times
we look for the light.
“I grew up on the margins, I inherited all the value of the margins. I know from all my reading and living that extraordinary things happen on the edges—the changes happen, the rituals happen, the magic, for want of a better word, happens on the edge of things. Everything is possible at the edge. It’s where the opposites meet, the different states and elements come together.”
— Ali Smith, qtd. in The Paris Review