Photograph: Ansel Adams
Photograph: Ansel Adams

“A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety.”

— Ansel Adams

“It’s the start of 2016, and Smith’s friend Pearlman—a producer and rock critic—has been hospitalized after a brain hemorrhage. As he lies in a coma, Smith recounts the tumultuous year that follows—the loss of friends (Sam Shepard is nearly bedridden), the horror of the imminent election and rise of nationalism, and the impending climate crisis. A reflection on mortality, the book retains Smith’s characteristically flat tone as she wanders through stretches of Arizona, California, Virginia, and Kentucky, stopping at diners for black coffee and onion omelets and conversations with strangers. She hitchhikes from San Francisco to San Diego and back, travels as far as Lisbon, and returns home to the quiet of her Rockaway bungalow to stare at the flowers. All the while, she describes the mundane details of life with incredible vividness…”

Camille Jacobson on
Year of the Monkey,
a new memoir from Patti Smith.

theparisreview.org/blog/2019/10/11/staff-picks-monsters-monkeys-and-maladies/

Photograph: Rhys Tranter
Photograph: Rhys Tranter
Photograph: Rhys Tranter
Photograph: Rhys Tranter
Photograph: Rhys Tranter

In these dark times
we look for the light.

Ali-Smith-009

“I grew up on the margins, I inherited all the value of the margins. I know from all my reading and living that extraordinary things happen on the ­edges—the changes happen, the rituals happen, the magic, for want of a better word, happens on the edge of things. Everything is possible at the edge. It’s where the opposites meet, the different states and elements come together.”

— Ali Smith, qtd. in The Paris Review


“Look, pay attention to the small things in the world, speak the truth as best as you can”

— Teju Cole

The New York Times has published a lovely and charming interview with Patti Smith, where she talks about some of her favourite books (and where I discovered she has a signed first edition of James Joyce’s Finnegans Wake).

Source: The New York Times

This week, it was my great privilege to visit the John Muir National Historic Site in Martinez, California. The beautiful Muir family home was restored from dereliction by the National Park Service, and pays tribute to the father of modern environmental conservation.

anseladams

“When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.”

— Ansel Adams

Toni Morrison
Toni Morrison

“At some point in life the world’s beauty becomes enough. You don’t need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don’t need someone to share it with or tell it to.”

— Toni Morrison, Tar Baby

“A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety.”

— Ansel Adams

View this post on Instagram

Movement.

A post shared by Rhys Tranter (@rhys.tranter) on

View this post on Instagram

Dusty.

A post shared by Rhys Tranter (@rhys.tranter) on

View this post on Instagram

Morning.

A post shared by Rhys Tranter (@rhys.tranter) on

View this post on Instagram

We wake up with the light.

A post shared by Rhys Tranter (@rhys.tranter) on

(more…)

View this post on Instagram

Morning mist.

A post shared by Rhys Tranter (@rhys.tranter) on

View this post on Instagram

Morning.

A post shared by Rhys Tranter (@rhys.tranter) on

View this post on Instagram

Electricity.

A post shared by Rhys Tranter (@rhys.tranter) on

View this post on Instagram

Christmas Day.

A post shared by Rhys Tranter (@rhys.tranter) on

andywarhol

“What comes clear in interviews with more than two dozen former friends and colleagues from the various Factory spaces is that, from the start of a career that ended with his premature death at 58, the rabidly ambitious and deeply needy Warhol marshaled all that was paradoxical in his nature and put it to the service of the sustained piece of performance art that was his public self.”

The New York Times

2c4d1-eliasson_weather

“I have to deal with the fact that people walk through every exhibition, not just mine, with their phone in front of their face. What I think is going on is a sort of physical attention deficit, a new type of numbness. I think it’s a fair argument that there’s a sort of physical disconnect. But on the other side I see the increased democratisation of accessibility to culture and the demystifying of elitism in museums and of who owns the narrative. I would like to be positive, even though my art has lot to do with the phenomenology of tangibility. Now it’s up to me to find a way to react to that and come up with an answer to what is a revolution, whether I like it or not. The question is not whether I would consider making art where the phone is part of the experience, because the phone is a part of the work already, now I just need to find a way to deal with it.”

Creative Review