Author: Rhys Tranter

Rhys Tranter is a writer based in Cardiff, Wales, UK. He is the author of Beckett's Late Stage (2018), and his work has appeared in the Times Literary Supplement, The Spectator, and a number of books and periodicals. He holds a BA, MA, and a PhD in English Literature. His website RhysTranter.com is a personal journal offering commentary and analysis across literature, film, music, and the arts.

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“In our current era of uprooting, thanks to economic policies that have created mass homelessness again in California and crushing debt across the nation, Lange’s images seem immediate, urgent, thorny again, questions that demand answers.”
—
Rebecca Solnit discusses a 1956 portrait by Dorothea Lange for an upcoming exhibition of her work at the The Museum of Modern Art. Source: The Paris Review.

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“I’m always looking for something new. I don’t like to repeat myself. I want always to find something which is fresh.”
—
Krzysztof Penderecki
Polish composer and conductor
1933-2020

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paulstewartMy friend and former editor has written a new novel. Paul Stewart’s Of People and Things is now available from Armida Books in print and electronic formats. Paul is not only a writer, but an actor and an academic who has been living in Nicosia, Cyprus, for over twenty years. He currently teaches as a Professor of Literature at the University of Nicosia. You can find out more about Paul and his new book at the Armida Books website.

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John Berger
John Berger

“I’d rather reject the terms optimistic and pessimistic. They suggest a calculation of how things are going to evolve, and if it’s going to evolve in the way you want, you’re optimistic. That has very little to do with despair and hope. Hope is not a form of guarantee, it’s a form of energy, and very frequently that energy is strongest in circumstances that are very dark.”

— John Berger, who died on 2 January 2017.

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Cardiff at night. I walk through the streets as the sun is going down, and I am reminded that these are the closing days of a decade. May the next ten years bring greater peace, hope and community to this wonderful city.

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I have just started a new role as a pastoral tutor at St David’s Catholic College in Cardiff. Over the last two years I have been looking for a secure full-time job that would allow me to draw on my teaching skills and experience, while also offering an opportunity to serve my local community in a direct and meaningful way. I am absolutely thrilled.

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William Blake, ‘Newton’ (c.1795-1805)

The poet and artist William Blake was born in Soho in London on 28 November 1757. His ‘Newton’ conveys the scientist as allegorical figure: absorbed by man-made geometry to the exclusion of the self and the wonders of the natural world. Blake’s poetic and artistic works became important cultural touchstones during a tumultuous period in Western history, but his words and images comprise social commentary and critique that still speaks to our times.

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“Evidently salvation is not to be found by increasing the comforts and pleasures of life, medical treatments, artificial teeth and hair, breathing exercises, massage, and so forth; […] It is impossible to remedy this by any amusements, comforts, or powders – it can only be remedied by a change of life.”

— Leo Tolstoy, ‘What then must we do?’ (trans. Aylmer Maude)

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Richard Brody on the final film of the late Agnès Varda, who died in March at the age of ninety:

“The sublime originality of the work and the life of Agnès Varda, who died in March, at the age of ninety, provides her last film, “Varda by Agnès” (screening October 9th and 10th), with both its subject and its form. It’s a personal journey through her career, centered on a series of public lectures, interviews, and conversations that mesh with clips from her work—museum installations and videos as well as movies—and with staged sequences that provide a theatrical context for her reminiscences and reflections. “Varda by Agnès” is a fitting valedictory work that, in its retrospective illuminations, nonetheless pushes Varda’s own aesthetic relentlessly forward: it’s an exemplary illustration of the very concept of the auteur, of the director as prime creator, an idea which—though she was never a critic and never advanced it in theory—her body of work exemplifies as strongly as anyone’s has done, now or ever.”

Source: The New Yorker.

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Don Cherry in 1966. Photograph: Francis Wolff.

“When people believe in boundaries, they become part of them.”

— Don Cherry, born on this day in 1936.

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“So I think, be out, get out, look up, walk where and when you can, and be curious, and be astonished by the world.”

— Robert Macfarlane talks to Krista Tippett about his book, Underland. Read or listen to the conversation at the On Being Project.

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Lydia Davis
Lydia Davis

“In her notes, we see her honing her habit of attention, her sensitivity to shades of meaning and the music of language, her tropism toward writers with a talent for noticing.”

— Parul Sehgal reviews Essays One, a new collected volume from Lydia Davis. Read the review in The New York Times.