Rhys Tranter is a writer and photographer based in Cardiff, Wales, UK. His work has appeared in the Times Literary Supplement, The Spectator, and a number of books and periodicals. He holds a BA, MA, and a PhD in English Literature. His website RhysTranter.com is a personal journal offering commentary and analysis across literature, film, music, and the arts.
Archival excavation and detailed contextualisation is becoming increasingly central to scholarship on literary modernism. In recent years, the increased – and often online – accessibility and dissemination of previously unpublished or little-known texts has led to paradigm-shifting scholarly interventions across a range of canonical and lesser-known authors, neglected topics, and critical methodologies including genetic criticism, intertextuality, book history, and historical documentation. This trend is only bound to increase as large-scale digitisation of archival materials gathers pace, and existing copyright restrictions gradually lapse.
These two book series have been at the forefront of this burgeoning trend, and this international conference will take stock of these developments. Above all, it will also point forwards, towards future avenues of research. The authors and editorial board members connected with the series will reflect upon the ‘state of the art’ regarding archive-based research within their particular sub-discipline, connecting this to Modernism Studies as a whole. The provisional paper titles listed below reflect their responses to this invitation. (more…)
“When asked why it makes her emotional, Chastain said that she ‘was playing a character who was the embodiment of love, so every day was just filled with so much joy.’
‘I was meditating on expanding my heart space and living with an open heart,’ she says. ‘Of course it affects you and how you treat other people. I loved those little boys so much, and I loved Terry so much. Watching the movie and seeing Mrs. O’Brien running through the streets with those little boys, I remember how wonderful it was. I’m heartsick for it.'”
“One of the twentieth century’s greatest philosophers, Wittgenstein published only one book. To celebrate its centenary, we revisit Tractatus Logico-Philosophicus. An unusual work of philosophy by any standard, it was written on the front lines during World War I and purported to distinguish sense from nonsense. Wittgenstein felt that in the Tractatus he had solved all the problems of philosophy. Appropriately, once finished writing the book, he abandoned philosophy, only returning years later to focus on ordinary language and its philosophical potential. In this panel, we take a look back at the man, his early life and work, and consider why his thinking has been of such enduring interest.”
Listen to the complete recording over at theForum website.