Rose early. Cool and clear morning. Went running around East Bute Dock (one lap). Reading Thomas à Kempis, Flannery O’Connor (her first published short story, ‘The Geranium’), and the diaries of Thomas Merton (describing his meeting with Zen scholar and practitioner D. T. Suzuki).
Robert Harrison has interviewed the American novelist and essayist Marilynne Robinson about her religious beliefs for Entitled Opinions, hosted by the Los Angeles Review of Books. Their conversation also touches on topics of grief, history, science, Freudianism, and the work of Ralph Waldo Emerson, Walt Whitman, Emily Dickinson, and Edgar Allan Poe. Listen.
Sat down and read Cormac McCarthy‘s play (or “novel in dramatic form”) The Sunset Limited. An African American man saves a white college professor from suicide, and they share a compelling dialogue about life, suffering, religion, and humanism. Sometimes McCarthy’s stage directions lack racial sensitivity and tact (e.g. “the black” vs. “the professor”), but the characters have an intelligent and entertaining critical dialogue. Dianne C. Luce offers an interesting reading of the text’s conclusion over at the official Cormac McCarthy website (contains spoilers):
“The novel’s denouement rests on the intellectual triumph of White, which ironically leads to his suicide, and the temporary rhetorical defeat of Black, who courageously recommits to his belief in the possibility of goodness. Thus the dialogue remains elegantly balanced, poised between forceful articulations of opposing views of life and human nature, giving ascendancy to neither. McCarthy seems to have no ideological agenda here, but rather he aims at capturing the internal debate of the thoughtful individual seeking to navigate the subway of earthly existence, who hears within him- or herself the competing voices of, on the one hand, empirical reasoning and world-wearying experience and, on the other, hope and the transcendent spirit.”
Overall, a genuinely engaging work struck through with darkly comic elements. Recommended.
“There are many myths about class in the UK. The repercussions of these myths go largely unchallenged, and individual voices are often lost. In the first of a new series looking at the diversity of stories that make up the working class, Dr Michelle Deininger charts her journey from a council estate in Oxfordshire through her experiences in education to her current role as humanities lecturer at Cardiff University.”
Source: Wales Arts Review