Photograph: Rhys Tranter

Christoph Cardinal Schönborn, the editor of the Catechism of the Catholic Church, shares this on art, the true and the beautiful:

“Art, therefore, does not deal only with what is externally beautiful and harmonious, although this is rightly considered to be its primary end (CCC 250I). Gertrud von le Fort, one of the greatest Catholic authors of our [just-completed] century, says of writing (and similar things can be said also of the other arts) that it shares with the Christian faith the ‘irresistible inclination to embrace the ostracized and the condemned, even the guilty who are condemned, to accompany on their confused path to the abyss those who have gone astray, to draw the failing and the dying to its heart. […] Genuine poetry remains, unflinchingly, the great lover of the guilty and the lost.’”

Perhaps the words of this author will help us to understand better some of the ways of contemporary art and to see more clearly where today’s artists, in their often bewildering quests, are on the trail of the Savior’s truth.

Living the Catechism of the Catholic Church, Vol. III: Life in Christ.

“All important things in life are simple.” — Arvo Pärt

In July, Jenn and I travelled to Estonia to visit the Arvo Pärt Centre in Laulasmaa. Pärt is the most-performed living composer in the world, and his life and work played a key role in the development of my faith. We even saw Arvo Pärt and his wife Nora shopping at their local village supermarket! Included here are some images from our day, although we did not take any photographs of or approach the Pärts out of respect for their privacy.

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Hannah Fitzpatrick and Anindya Raychaudhuri discuss a topical podcast that covers politics, power, and pop culture

What is the State of the Theory podcast?

Hannah Fitzpatrick: Like most podcasts, State of the Theory is a manifestation of our narcissism. It began as an optimistic hope (albeit with few expectations) that our casual conversations might be of interest to, and spark debate among, our friends and colleagues. We used to commute together a few times a week, and the car became a sort of impromptu seminar venue, but without the audience. After the last research auditing exercise undertaken by the UK government in 2014, Impact and Public Engagement became quantifiable entities that might be used for or against us later in our careers, so the podcast is a sort of compromise, a way for us to demonstrate that our thoughts have value beyond the walls of the Vauxhall Astra, while still doing it on our own terms. A way of selling out without entirely selling out, if you will. Also, we missed the long drive, where all we could do was chat, and we could have these long, multi-stage conversations over the course of a week or two, so the podcast was a way for us to recreate that time. (more…)