In a 30-minute documentary produced in collaboration with the Arvo Pärt Centre, the composer discusses the significance of his personal diaries to the formation and development of his music.
“Any adversity makes artists move closer to what is important, essential. Only time can show what fruits will such a focusing on the essential bear.”
In a new interview, Estonian composer Arvo Pärt suggests what the coronavirus might mean for society and the arts. Source: Arvo Pärt Centre.
“I’m always looking for something new. I don’t like to repeat myself. I want always to find something which is fresh.”
Polish composer and conductor
“When people believe in boundaries, they become part of them.”
— Don Cherry, born on this day in 1936.
“It’s the start of 2016, and Smith’s friend Pearlman—a producer and rock critic—has been hospitalized after a brain hemorrhage. As he lies in a coma, Smith recounts the tumultuous year that follows—the loss of friends (Sam Shepard is nearly bedridden), the horror of the imminent election and rise of nationalism, and the impending climate crisis. A reflection on mortality, the book retains Smith’s characteristically flat tone as she wanders through stretches of Arizona, California, Virginia, and Kentucky, stopping at diners for black coffee and onion omelets and conversations with strangers. She hitchhikes from San Francisco to San Diego and back, travels as far as Lisbon, and returns home to the quiet of her Rockaway bungalow to stare at the flowers. All the while, she describes the mundane details of life with incredible vividness…”
Camille Jacobson on
Year of the Monkey,
a new memoir from Patti Smith.
“I felt very strongly that the communal suffering, and our ability to transcend it, was the thing that held us together. This was not some pessimistic worldview, quite the opposite really. It became clear that as human beings we have enormous capabilities that allow us to rise above our suffering – that we are hardwired for transcendence. […] [W]hether the lyric writing has changed, I would say that it has shifted fundamentally. I have found a way to write beyond the trauma […]. I found with some practise the imagination could propel itself beyond the personal into a state of wonder.”
“When I compose music, I don’t focus on the everyday collisions of life. I want to see it as a bird in flight, from a height, from an angle.”
Sad to learn that the Georgian composer
died today in his home city of Tbilisi.