The American jazz musician and composer talks to David Marchese at Vulture
Sonny Rollins
Sonny Rollins

What sorts of feelings did putting your archives in order stir up? That material is the stuff of your life, and now you’re giving it away.
I could say it put me in a reflective mood, but most of the archiving itself was done by someone else, and the truth is that my life has been in a reflective mode for some years now. Maybe my whole life has been in that mode. It’s gotten more that way since I became unable to blow by horn. That was hard. I’ve thought a lot about what I’ve done musically, what I could’ve done, what I might’ve done.

What’s the nature of those thoughts?
What’s the meaning of life? Why am I here? What am I supposed to be doing?

Have you come up with any answers?
You know, I listen to the radio a lot and there’s a guy that comes on and says, “Have a good day today and enjoy.” I hate the word “enjoy.” Because to me life is not about enjoyment or, in other words, getting for yourself. That’s not why we’re here. The reason of life, to me, is all about giving. Giving is what gives me happiness. Making somebody else happy is the greatest thing you can do. (more…)

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patti-smithOpen Culture has shared a list of American writer, musician, and photographer Patti Smith‘s favourite books. Included among the 2008 list are titles by Mikhail BulgakovHermann HesseJoseph ConradCharlotte Brontë, Nikolai Gogol, André Breton, Albert Camus and Virginia Woolf. Smith also lists a number of titles associated with the Beat Generation and other post-war American literature, including Allen Ginsberg, Jack KerouacWilliam S. Burroughs, and J. D. Salinger. Mike Springer reproduces the complete list, with brief commentary, over at the Open Culture website.

Buster Keaton on the set of Samuel Beckett's Film
Buster Keaton on the set of Samuel Beckett’s Film

Editors Paul Stewart and David Pattie are seeking contributions to Pop Beckett, a new collection of essays to be published by Ibidem Press:

“The subsequent presence of Beckett in popular culture – both the works and the figure of the man himself – covers a wide array of fields that, as Emilie Morin has suggested, might lead us to re-think Beckett’s continuing position in neoliberal capitalism. Moreover, the boundaries of popular and ‘high’ culture are open to contestation.”

— Source: The Samuel Beckett Society
Abstracts for possible submissions are requested by 20 December 2017, and, upon acceptance, the deadline for full-length essays is set at 30 May 2018. For more information about the projected book, visit the announcement on the Samuel Beckett Society website.

Hannah Fitzpatrick and Anindya Raychaudhuri discuss a topical podcast that covers politics, power, and pop culture

What is the State of the Theory podcast?

Hannah Fitzpatrick: Like most podcasts, State of the Theory is a manifestation of our narcissism. It began as an optimistic hope (albeit with few expectations) that our casual conversations might be of interest to, and spark debate among, our friends and colleagues. We used to commute together a few times a week, and the car became a sort of impromptu seminar venue, but without the audience. After the last research auditing exercise undertaken by the UK government in 2014, Impact and Public Engagement became quantifiable entities that might be used for or against us later in our careers, so the podcast is a sort of compromise, a way for us to demonstrate that our thoughts have value beyond the walls of the Vauxhall Astra, while still doing it on our own terms. A way of selling out without entirely selling out, if you will. Also, we missed the long drive, where all we could do was chat, and we could have these long, multi-stage conversations over the course of a week or two, so the podcast was a way for us to recreate that time. (more…)

Sonny Rollins during the recording of A Night at the Village Vanguard. Francis Wolff:Blue Note Records

Yesterday marked the 60th anniversary of Sonny Rollins‘s legendary recording,
A Night at the Village Vanguard. Writing for NPR, Nate Chinen reached out to several experts and practitioners to discuss the album’s ongoing influence:

Jon Irabagon, who calls A Night at the Village Vanguard ‘a formative album for me,’ gave it a fresh listen this week, and was struck again by its genius. ‘Rollins had one foot completely in the tradition, he was mining these standards, and he was also part of the aliveness — the surging life-quality — of jazz,’ he said. ‘Then it’s the harmonic freedom, the melodic integrity and just the playfulness that he had. It’s not beholden to some kind of codified language. There are so many surprises and twists and turns. You can hear the entire history of jazz on that record, up to that point.’

It would be misleading to imply that Rollins’ heroic performance on A Night at the Village Vanguard is primarily of interest to other saxophonists. ‘It’s a textbook example of what modern jazz improvisation should be,’ the pianist Fred Hersch pronounced in an email. ‘Sonny plays with intelligence, warmth, humor and an expressive technique that seems to know no bounds.’ Hersch, who literally wore out his first copy of the album, advises all his piano students to study it closely, ‘as a means to understanding the subtlety of phrasing and deep connection to rhythm that Sonny, Wilbur [Ware] and Elvin [Jones] display.'”

— Nate Chinen, NPR