“Any adversity makes artists move closer to what is important, essential. Only time can show what fruits will such a focusing on the essential bear.”
In a new interview, Estonian composer Arvo Pärt suggests what the coronavirus might mean for society and the arts. Source: Arvo Pärt Centre.
“I’m always looking for something new. I don’t like to repeat myself. I want always to find something which is fresh.”
Polish composer and conductor
“When people believe in boundaries, they become part of them.”
— Don Cherry, born on this day in 1936.
“It’s the start of 2016, and Smith’s friend Pearlman—a producer and rock critic—has been hospitalized after a brain hemorrhage. As he lies in a coma, Smith recounts the tumultuous year that follows—the loss of friends (Sam Shepard is nearly bedridden), the horror of the imminent election and rise of nationalism, and the impending climate crisis. A reflection on mortality, the book retains Smith’s characteristically flat tone as she wanders through stretches of Arizona, California, Virginia, and Kentucky, stopping at diners for black coffee and onion omelets and conversations with strangers. She hitchhikes from San Francisco to San Diego and back, travels as far as Lisbon, and returns home to the quiet of her Rockaway bungalow to stare at the flowers. All the while, she describes the mundane details of life with incredible vividness…”
Camille Jacobson on
Year of the Monkey,
a new memoir from Patti Smith.
“I felt very strongly that the communal suffering, and our ability to transcend it, was the thing that held us together. This was not some pessimistic worldview, quite the opposite really. It became clear that as human beings we have enormous capabilities that allow us to rise above our suffering – that we are hardwired for transcendence. […] [W]hether the lyric writing has changed, I would say that it has shifted fundamentally. I have found a way to write beyond the trauma […]. I found with some practise the imagination could propel itself beyond the personal into a state of wonder.”
“When I compose music, I don’t focus on the everyday collisions of life. I want to see it as a bird in flight, from a height, from an angle.”
Sad to learn that the Georgian composer
died today in his home city of Tbilisi.
As we enter a new phase of social, political and economic uncertainty, Christopher Petit’s 1979 film Radio On has a new relevance.
Released forty years ago this year,
Radio On‘s dark vision of Britain
on the cusp of inevitable change
speaks to our time
in stark and revealing ways.
“I’m the kind of person who jumps around when he talks because everything is connected.”
— Wayne Shorter, qtd. in The Washington Post
“Producer Giles Martin shares the remarkable stories, early demos, outtakes and stunning new mixes from the just-released deluxe version of the album.” — NPR
“Bob Dylan had crucial second thoughts just as he was about to release “Blood on the Tracks,” the indelible 1975 album filled with songs of separation, heartache, sorrow, rage and regret. Now it’s getting a revealing close-up. “More Blood, More Tracks: The Bootleg Series Vol. 14,” […] unveils all of the initial sessions: the solo, duo and small-group versions of songs that Dylan replaced, for half of the album, with more extroverted full-band recordings. There are an exhaustive deluxe six-CD version with every surviving take and a one-CD compilation of alternate versions of the album’s 10 songs plus one that was omitted, “Up to Me. […] The [set] includes a hardcover volume featuring a trove of Dylan lore: a page-by-page reproduction of a spiral notebook of lyrics, full of cross-outs and alternatives.”
“David Lynch relives his days in Thought Gang, the band whose music was even wilder than his movies” — The Guardian.
“Again, it’s like going to church whether you want to or not. If you know it, you’ll know what I’m talking about. It’s just beautiful. Beautiful’s the only word I can say.”
— Chan Marshall (Cat Power), The Quietus