As her debut collection draws both popular and critical acclaim, I caught up with Emily Blewitt to talk about poetry, labels, and contemporary women’s writing
emily-blewitt
Emily Blewitt. Photograph: Michael Willett

When did you begin writing?

On one hand, the answer to this question is: since I could write. I was always writing stories when I was a little girl. And reading – I was a very enthusiastic bookworm! I never intended to write poetry; I didn’t think I’d be able to, though I loved reading it. I didn’t see how I could write poetry; I didn’t know how to go about it. But when I was seventeen, for the first time I saw a contemporary poet in action. I heard Kate Clanchy perform her work, and she was brilliant. She showed me that poetry could be accessible, powerful, sexy, exciting. That was the seed, though I didn’t start writing poetry properly until my early twenties, after I signed up for some extra-curricular writing workshops during my Masters degree.

What is it about poetry that appeals to you? 

For me, poetry has an immediacy about it. It can speak to us forcibly and directly. It has truth (different from accuracy) and music to it. It can take us somewhere, and continue to do so, because it is so layered with possible meanings. It’s slight compared to, say, a novel, but it can pack a punch far above its weight. I love its rhythms, its urgency, its vitality, its power.  (more…)

Reflecting on the decision to pursue my vocation in art, service, and simple living

One year ago today I made a decision to change my life. A cardiology appointment prompted me to think more carefully about my lifestyle choices, and I became motivated to start living according to values of simplicity, humility, and compassion. (more…)

As The Story Was Told (1996), a two-part documentary featuring interviews with authorised biographer James Knowlson, publishers John Calder and Barney Rosset, actress Billie Whitelaw, nephew Edward Beckett, and others. The documentary is notable, in part, for its glimpses of Beckett’s home in Paris and his country retreat in Ussy-sur-Marne.

Sat down and read Cormac McCarthy‘s play (or “novel in dramatic form”) The Sunset Limited. An African American man saves a white college professor from suicide, and they share a compelling dialogue about life, suffering, religion, and humanism. Sometimes McCarthy’s stage directions lack racial sensitivity and tact (e.g. “the black” vs. “the professor”), but the characters have an intelligent and entertaining critical dialogue. Dianne C. Luce offers an interesting reading of the text’s conclusion over at the official Cormac McCarthy website (contains spoilers):

“The novel’s denouement rests on the intellectual triumph of White, which ironically leads to his suicide, and the temporary rhetorical defeat of Black, who courageously recommits to his belief in the possibility of goodness. Thus the dialogue remains elegantly balanced, poised between forceful articulations of opposing views of life and human nature, giving ascendancy to neither. McCarthy seems to have no ideological agenda here, but rather he aims at capturing the internal debate of the thoughtful individual seeking to navigate the subway of earthly existence, who hears within him- or herself the competing voices of, on the one hand, empirical reasoning and world-wearying experience and, on the other, hope and the transcendent spirit.”

Overall, a genuinely engaging work struck through with darkly comic elements. Recommended.

Finished reading Stephen King‘s Under the Dome. It’s one of the author’s longest works, and has been compared by publishers and critics to his earlier post apocalyptic novel, The Stand. While the story of an hermetically sealed American community has the feel of a modern parable, Under the Dome is ultimately a straightforward (if fantastical) crime thriller about small town political corruption.

Read Richard Matheson‘s 1950s short story, ‘Long Distance Call’, in a 2007 Penguin anthology entitled American Supernatural Tales. I’m always struggle to find ghost stories that are genuinely chilling or unsettling, and I think that Matheson does a nice job. “Hello?”

Finished reading Alice Walker‘s The Color Purple. Wonderful; deeply affecting.

“Reading Mabillon’s wise and delightful book on monastic studies. Among other things, this beautiful quotation from Seneca: “If you will give yourself to study, you will ease every burden of life, you will neither wish for night to come or the light to fail; neither shall you be worried or preoccupied with other things.”

— Thomas Merton, Journal, 10 November 1958