Saul Bellow

“This is a superb biography. Yet it begins in the most inauspicious place. It is 1964, and Saul Bellow has just become absurdly rich and famous. His struggle, doubt, grit, immigrant story, artistic dreams — all were told in Volume 1 of Zachary Leader’s biography, To Fame and Fortune. Here in Volume 2, Love and Strifethe novel Herzog is published on the very first page and reaches “No. 1 on the best-seller list, supplanting John le Carré’s The Spy Who Came In From the Cold.” Never again would Bellow, about to turn 50 years old, lack for wealth, power, awards or flunkies to stand by him, ready to take his coat and do his bidding. The temptation for someone in his position was to become an insufferable, spoiled monster.”

The New York Times

Advertisements

Ursula K. Le Guin
Ursula K. Le Guin

A new documentary on the fantasy and science fiction author Usula K. Le Guin explores the evolution of her writing and the ideas that shape and define her work. Source: Bust.

The editors of The New York Times Book Review choose the best fiction and nonfiction titles this year.

“Detractors of new poetry make judgments about craft based on conservative assumptions about poetic traditions, forms, style. But radical aesthetics have their own craft and traditions, formed from intersecting political and linguistic concerns. So this isn’t a question of craft at all. Tremain and others might more accurately say that poetry is rapidly changing. And although it has always changed, recent new voices have radically altered the landscape of poetry – for some, beyond comfortable recognition. What no one dares to say aloud is who these new poets are and why they are such a threat to the supposed status quo.”

The Guardian

“The age of the sequel is over. Now it’s the age of the sequel to the sequel. Also the prequel, the reboot, the reunion, the revival, the remake, the spinoff and the stand-alone franchise-adjacent film. Canceled television shows are reinstated. Killed-off characters are resuscitated. Movies do not begin and end so much as they loiter onscreen. And social media is built for infinite scrolling. Nothing ends anymore, and it’s driving me insane.”

The New York Times