“I want to be a force for real good. In other words. I know that there are bad forces, forces that bring suffering to others and misery to the world, but I want to be the opposite force. I want to be the force which is truly for good”
An exclusive glimpse inside a new online archive, cataloguing the Nobel laureate’s personal reading habits and artistic influences
Dirk Van Hulle and Mark Nixon, Samuel Beckett’s Library
The Beckett Digital Library (BDL) is a digital reconstruction of Samuel Beckett’s personal library, based on the volumes preserved at his apartment in Paris, in archives (Beckett International Foundation) and private collections (James and Elizabeth Knowlson Collection, Anne Atik, Noga Arikha, Terrence Killeen,…). It currently houses 757 extant volumes, as well as 248 virtual entries for which no physical copy has been retrieved.
The BDL module is a part of the Beckett Digital Manuscript Project and contains scans of book covers, title pages, all pages with reading traces, flyleaves, colophons, tables of contents, indexes and inserts of various kinds. In addition to facsimiles, the BDL also offers transcriptions of readings traces and links to Beckett’s manuscripts.
The BDL is accompanied by a monograph (Dirk Van Hulle and Mark Nixon, Samuel Beckett’s Library, Cambridge UP, 2013)
What follows is an exclusive preview of the Beckett Digital Library (BDL), with quotations excerpted from Van Hulle’s and Nixon’s companion book. Each image presents an actual edition owned by the writer himself. (more…)
Some mornings, in a perfect world, you might wake up, have a coffee, finish meditation, and say, “Okay, today I’m going into the shop to work on a lamp.” This idea comes to you, you can see it, but to accomplish it you need what I call a “setup.” For example, you may need a working shop or a working painting studio. You may need a working music studio. Or a computer room where you can write something. It’s crucial to have a setup, so that, at any given moment, when you get an idea, you have the place and the tools to make it happen.
When you don’t have a setup, there are many times when you get the inspiration, the idea, but you have no tools, no place to put it together. And the idea just sits there and festers. Over time, it will go away. You didn’t fulfill it—and that’s just a heartache.
A notable precursor to the contemporary zombie movie
Richard Matheson, I Am Legend
Recently, I picked up a copy of Richard Matheson’s I Am Legend at a second-hand bookstore. Matheson—whose high-concept man vs. truck short story Duel was to launch the career of Steven Spielberg—made a name for himself in the genres of science-fiction, horror and fantasy. His writing spans novels and short stories, alongside work in television and film. I Am Legend, itself no stranger to the silver screen, has been adapted no less than three times, and is, in some ways, a reflective document of post-war American culture. First published in 1954, it laid an early foundation for zombie movies such as George Romero’s Night of the Living Dead (1968) series, and critiques many of the same social and cultural concerns associated with these later films.
“a reflective document of post-war American culture”
The plot revolves around Robert Neville, the ‘last living man on earth’. He navigates a post-apocalyptic landscape where every other man, woman, and child has been converted into zombie-like nocturnal vampires. It is a cautionary tale, negotiating the long-term impact of violence and exploitation in the atomic age. (more…)
Through exclusive interviews and previously unseen photographs, a new documentary offers an intimate portrait of the relationship between translator Barbara Bray and Nobel Prize winner Samuel Beckett
Espen Terjesen’s beautifully drawn essay on Bernhard’s writing
I’m very excited to share a beautiful and concise ‘graphic essay’ on the work of Austrian writer Thomas Bernhard. The essay was written, drawn, and designed by Espen Terjesen, an illustrator, cartoonist, pixel artist, teacher/lecturer, and writer working in Bergen, Norway. In addition to the original essay, Terjesen has also been kind enough to provide me with an English translation.
Terjesen’s work not only presents themes from Bernhard’s writing with striking, icy accompaniments, but offers a playful approach to the traditional academic essay. By combining elements of literary criticism with the graphic novel, Terjesen’s reading of Bernhard becomes, in itself, a creative act. What we are left with is something both thought-provoking and accessible.
To see the strip in its original format, please find links to Terjesen’s essay at the bottom of this post. In its complete form, the essay includes a number of footnotes and recommended reading. You can click any of the images to enlarge them. Enjoy! (more…)