Lisa Stead discusses the influence of cinema on a generation of interwar women writers
A new book by Lisa Stead uncovers the vital role cinema played in the work of interwar women writers. Entitled Off to the Pictures: Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain, the study explores a range of important but often overlooked figures, from Jean Rhys to Elinor Glyn and C. A. Lejeune. Stead delves into archives and unearths hidden treasures from newspapers and magazines of the time, not to mention a range of literary texts from popular middlebrow fiction to experimental modernism. I caught up with Lisa Stead to discuss her interest in this crucial period for women’s writing, and to ask how cinemagoing still influences the way women construct their own identities.

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