A new fully-illustrated volume offers a fascinating portrait of Austria’s most significant post-war writer
Thomas Bernhard, 3 Days: From the Film By Ferry Radax (Blast Books, 2016)
Thomas Bernhard, 3 Days: From the Film By Ferry Radax (Blast Books, 2016)

In the summer of 1970, experimental filmmaker Ferry Radax arranged to meet with the Austrian writer Thomas Bernhard. Over the course of three days, Radax recorded the writer amid the pleasant surroundings of a park in Hamburg. For readers familiar with Bernhard’s work, the setting was incongruous: his novels Frost (1963), Gargoyles (1967) and The Lime Works (1970) portray dark, grotesque landscapes of murder, ignorance, and obsession. As Bernhard himself admits, ‘I am hardly a cheery author’. And yet, in such bright and affable settings, Radax manages to capture a revealing portrait of the writer George Steiner called ‘the foremost craftsmen of German prose after Kafka and Musil.’

Blast Books, an independent publisher in New York, has taken a great deal of care to adapt Radax’s film, entitled 3 Days, into a book. The beautifully presented hardback volume includes Thomas Bernhard’s own reflections on Radax’s film, and a fully-illustrated record of the documentary translated from the German by Laura Lindgren. Also included is a critical afterword by film scholar Georg Vogt, and a fully-illustrated appendix of Radax’s notes for the filmmaking. The book makes considered use of space, word, and image to capture the spirit of Radax’s documentary, and the rhythms and emphasis of Bernhard’s monologues. (more…)

Espen Terjesen’s beautifully drawn essay on Bernhard’s writing

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I’m very excited to share a beautiful and concise ‘graphic essay’ on the work of Austrian writer Thomas Bernhard. The essay was written, drawn, and designed by Espen Terjesen, an illustrator, cartoonist, pixel artist, teacher/lecturer, and writer working in Bergen, Norway. In addition to the original essay, Terjesen has also been kind enough to provide me with an English translation.

Terjesen’s work not only presents themes from Bernhard’s writing with striking, icy accompaniments, but offers a playful approach to the traditional academic essay. By combining elements of literary criticism with the graphic novel, Terjesen’s reading of Bernhard becomes, in itself, a creative act. What we are left with is something both thought-provoking and accessible.

To see the strip in its original format, please find links to Terjesen’s essay at the bottom of this post. In its complete form, the essay includes a number of footnotes and recommended reading. You can click any of the images to enlarge them. Enjoy! (more…)