“The TV adaptation of her dystopian classic The Handmaid’s Tale captured the political moment. Ahead of a new series, Atwood talks bestsellers, bonnets and the backlash against her views on #MeToo” — The Guardian
I’m currently teaching a literature module at Cardiff University entitled Utopia: Suffrage to Cyberpunk, which traces the development of utopian/dystopian writing in the twentieth-century. Yesterday’s lecture included something of a surprise, when Margaret Atwood took time to share a few words the group via Twitter. We spent a few minutes at the end of the lecture following her sage advice, collectively acquainting ourselves with the wonders of Thug Notes.
“The Handmaid’s Tale was published in 1985 to overwhelming critical acclaim. It won the Governor General’s award for English-language fiction that year, and the inaugural Arthur C Clarke award in 1987. Often labelled a feminist dystopia, the novel captivates and terrifies in equal measure. Is Gilead the result of puritanism, misogyny and megalomania taken to their logical end? Is Atwood shooting readers a warning that this is where fanaticism and militarisation at the expense of humanity might lead?”
More at The Guardian.