“The TV adaptation of her dystopian classic The Handmaid’s Tale captured the political moment. Ahead of a new series, Atwood talks bestsellers, bonnets and the backlash against her views on #MeToo” — The Guardian

Lecture slide from Utopia: Suffrage to Cyberpunk.
Lecture slide from Utopia: Suffrage to Cyberpunk.

I’m currently teaching a literature module at Cardiff University entitled Utopia: Suffrage to Cyberpunk, which traces the development of utopian/dystopian writing in the twentieth-century. Yesterday’s lecture included something of a surprise, when Margaret Atwood  took time to share a few words the group via Twitter. We spent a few minutes at the end of the lecture following her sage advice, collectively acquainting ourselves with the wonders of Thug Notes.

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The Handmaid’s Tale was published in 1985 to overwhelming critical acclaim. It won the Governor General’s award for English-language fiction that year, and the inaugural Arthur C Clarke award in 1987. Often labelled a feminist dystopia, the novel captivates and terrifies in equal measure. Is Gilead the result of puritanism, misogyny and megalomania taken to their logical end? Is Atwood shooting readers a warning that this is where fanaticism and militarisation at the expense of humanity might lead?”

More at The Guardian.

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Pynchon, DeLillo, Atwood, Dostoyevsky, DeLillo.

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