A new online database allows users to track down the location of every known letter, postcard, and correspondence by Samuel Beckett listed in a public archive. You can tbeckett.library.emory.edu.
As The Story Was Told (1996), a two-part documentary featuring interviews with authorised biographer James Knowlson, publishers John Calder and Barney Rosset, actress Billie Whitelaw, nephew Edward Beckett, and others. The documentary is notable, in part, for its glimpses of Beckett’s home in Paris and his country retreat in Ussy-sur-Marne.
Archival excavation and detailed contextualisation is becoming increasingly central to scholarship on literary modernism. In recent years, the increased – and often online – accessibility and dissemination of previously unpublished or little-known texts has led to paradigm-shifting scholarly interventions across a range of canonical and lesser-known authors, neglected topics, and critical methodologies including genetic criticism, intertextuality, book history, and historical documentation. This trend is only bound to increase as large-scale digitisation of archival materials gathers pace, and existing copyright restrictions gradually lapse.
These two book series have been at the forefront of this burgeoning trend, and this international conference will take stock of these developments. Above all, it will also point forwards, towards future avenues of research. The authors and editorial board members connected with the series will reflect upon the ‘state of the art’ regarding archive-based research within their particular sub-discipline, connecting this to Modernism Studies as a whole. The provisional paper titles listed below reflect their responses to this invitation. (more…)
“After the ‘Ulysses’ author died, in 1941, Ireland declined to honour him as it had WB Yeats” — The Irish Times
“In his fresh account of four modernists, Bill Goldstein, a former editor of the books section of this newspaper’s website and an interviewer for NBC New York, does not tell this story. Instead The World Broke in Two chronicles Morgan (Forster), David (Lawrence), Tom (Eliot) and Virginia (Woolf) as they wage personal battle in tremendous earnest against blank sheets of paper to create important new works from the inner recesses of their genius. Goldstein offers a snapshot history of their careers in deference to the American now, embracing not only the chatty familiarity of first names but also, and more significant, the biographical details of authorship that most 21st-century interest in literature seems to depend upon.”
— Eric Bennett, The New York Times
At 5pm on Tuesday 30 May 2017, Scarlett Baron will be giving a free lecture on James Joyce at the University of Reading. The lecture will connect to her broader interest in modernist and postmodernist literature in English and French:
“Her 2011 monograph ‘Strandentwining Cable’: Joyce, Flaubert, and Intertextuality reads Joyce within an Anglo-French literary tradition and argues for the importance of his work within the emergence of intertextual theory.
Everyone is most welcome to this event, which takes place 5pm at the Special Collections, University of Reading. The lecture will be accompanied by a glass of wine and is hosted by the Finnegans Wine Reading Group.”
To book a place, or for more information, take a look at the Eventbrite page.
What inspired you to write Ordinary Matters?
The idea developed from my first book, Virginia Woolf: the Patterns of Ordinary Experience. Towards the end of that project I realised there was much more that I wanted to explore, both in terms of the concept of the everyday and its applications to modernism and cultural histories of early twentieth-century modernity. I remember reading H.D.’s fascinating wartime memoir, The Gift, while I was working on my book on Woolf, and seeing some of Lee Miller’s photographs of London during the Blitz around the same time, and I felt I needed to extend my exploration of the ordinary to a broader range of women writers, artists and contexts. The final chapter of Virginia Woolf looked at what I termed the ‘ethics of the ordinary’ in her oeuvre. This idea, of the ways in which the ordinary functions as a site of value (be it personal, social, moral or political), really fascinated me, and I wanted to explore it in a more comprehensive way. Also, many canonical and contemporary theories on the topic view the everyday negatively, or as requiring radical transformation, and I felt that this was a critical habit or commonplace that itself required interrogation. (more…)