“The first lesson a disaster teaches is that everything is connected. In fact, disasters, I found while living through a medium-sized one (the 1989 earthquake in the San Francisco Bay Area) and later writing about major ones (including 9/11, Hurricane Katrina and the 2011 Tōhoku earthquake and Fukushima nuclear catastrophe in Japan), are crash courses in those connections. At moments of immense change, we see with new clarity the systems – political, economic, social, ecological – in which we are immersed as they change around us. We see what’s strong, what’s weak, what’s corrupt, what matters and what doesn’t.”

Rebecca Solnit, ‘The impossible has already happened’, in The Guardian, 7 April 2020.

This week, it was my great privilege to visit the John Muir National Historic Site in Martinez, California. The beautiful Muir family home was restored from dereliction by the National Park Service, and pays tribute to the father of modern environmental conservation.

Svetlana Alexievich
Svetlana Alexievich

“What can art accomplish? The purpose of art is to accumulate the human within the human being.”

— Svetlana Alexievich, Nobel Banquet, December 2015

The editors of The New York Times Book Review choose the best fiction and nonfiction titles this year.

Watching The Cold War, a 24-episode documentary series produced for CNN back in 1998. Narration by Kenneth Branagh. Fascinating.

sebald_02

“The Institute of Cultural Inquiry, an organization devoted to project-based study of visual technologies, issued a call for submissions for critical essays and artist projects related to the work of W.G. Sebald. The overwhelming response to this call precipitated the development of this ambitious anthology [Searching for Sebald: Photography After W.G. Sebald, ed. Lise Patt].

With 632 densely populated pages, this volume presented challenges of scale, organization, and cohesion. Within four thematic sections, 38 contributors present illustrated arguments and diverse visual explorations. These are separated with editorial ‘intermezzos.’ A framing introduction with extensive illustrated footnotes establishes the complexity of this multifaceted dialogue.”

JulieFry.com