By the standards of fictional global disasters, The Leftovers’ is a teensy one, just a smidgen of apocalypse. Two percent of the world’s population is gone–not dead, but vanished one Oct. 14 in what is being called the Sudden Departure. It sounds like the Christian Rapture, but it’s utterly random. It takes babies and adults; Christians, Buddhists and atheists; the devout and the drug dealer; plus Gary Busey and the entire former cast of Perfect Strangers. All told, 140 million people are gone, enough that some families are unscathed but no one is untouched. It’s enough to leave the species intact but heartsick; to leave society functioning but rudderless; to leave humanity standing but to kick the legs from under every existing belief system. (more…)
“I was taught that design is a type of visual communication and storytelling where a single image needs to say something profound immediately, in the simplest form possible.”
Danny Yount discusses directing the title sequence of the cult HBO television series over at Art of the Title.
“Jan Harlan, Stanley Kubrick’s executive producer, revealed some juicy news about Napoleon, Kubrick’s greatest unmade film. During the conference “Stanley Kubrick A Retrospective” held at the De Montfort University in Leicester, UK, last week, he said the project is going to happen as a HBO 6 hours miniseries, directed by Cary Fukunaga […]”
Source: A Stanley Kubrick tumblr.
Life Before Death
Alan Ball (Creator/Showrunner): In the fall of 1999 I was working on this television series that I created for ABC called Oh, Grow Up, which, in retrospect, I’m not sure is a show that I myself would have ever watched. But American Beauty [which I wrote the script for] had premiered in September of that year as well. So I got call from [then-president of HBO Entertainment] Carolyn Strauss’ office asking if I would meet her for lunch. That was right around the time I had just discovered The Sopranos, and I was amazed that, like, “Oh, TV can be this?” (more…)