Tag: Christianity

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In a November entry of The Genesee Diary, Henri Nouwen reflects on the writing and spirituality of Brother Lawrence:

“To live a spiritual life is to live in the presence of God. This very straightforward truth was brought home to me forcefully by Brother Lawrence, a French Carmelite brother who lived in the seventeenth century. The book The Practice of the Presence of God contains four conversations with Brother Lawrence and fifteen letters by him.

He writes: ‘It is not necessary for being with God to be always at church. We may make an oratory of our heart wherein to retire from time to time to converse with him in meekness, humility, and love. Everyone is capable of such familiar conversation with God, some more, some less. He knows what we can do. Let us begin, then. Perhaps he expects but one generous resolution on our part. Have courage.’

‘I know that for the right practice of it [the presence of God] the heart must be empty of all other things, because God will possess the heart alone; and as he cannot possess it alone without emptying it of all besides, so neither can he act there, and do in it what pleases, unless it be left vacant to him.’

Brother Lawrence’s message, in all its simplicity, is very profound. For him who has become close to God, all is one. Only God counts, and in God all people and all things are embraced with love. To live in the presence of God, however, is to live with purity of heart, with simple-mindedness and with total acceptance of his will. That, indeed, demands a choice, a decision, and great courage. It is a sign of true holiness.”

— Henri Nouwen, The Genesee Diary

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In A Hidden Life: Telling the Story of Saints, Mark Cooprider offers an accessible analysis of Terrence Malick‘s 2019 biopic of the Austrian conscientious objector St Franz Jägerstätter—executed in 1943 for his refusal to swear allegiance to National Socialism. Cooprider explores how Malick’s poetic narrative encompasses conventions of history, biography, myth, and legend, in ways akin to ancient Christian hagiography.

Note: Viewers interested in these connections may also seek out the work of academic Joel Mayward, for whom Malick’s distinctive approach to cinema can itself be considered a form of theology (or ‘theocinematics’).

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Reading Butler’s Lives of the Saints, I come across a passage on St Pambo, an Egyptian monk (c.390) thought to be a disciple of St Antony. I was struck by the following passage:

“His life was typical of the desert monks: hard manual labour, long fasts and physical penance, and sustained periods of prayer. Pambo was especially noted for his silence and a reluctance to speak any more than was necessary, seeing in control of the tongue a basic first step towards a deeper spirituality; he is said to have meditated on this verse from the Psalms for six months: ‘I will watch how I behave, and not let my tongue lead me into sin’ (Ps. 39:1). On the other hand, he had a broader outlook than many of his colleagues in the desert and did not believe their way of life was necessarily the best; he settled an argument between to monks as to which was more perfect, becoming a monk or staying in the world and doing works of mercy, by saying: ‘Before God both are perfect. There are other roads to perfection besides being a monk.'” (18 July, Butler’s Lives of the Saints)