“You are gods, sons of the Most High, all of you; nevertheless, like men you shall die, and fall like any prince” (Ps 82:6-7)

Xavier Beauvois’s 2010 film, Of Gods and Men, begins with this ominous epitaph from the eighty-second psalm. It is to be a portent of the narrative’s themes of death and dignity, explored in conversation with the theological virtues of faith, hope, and love.

Br Amédée (Jacques Herlin) and Br Luc (Michael Lonsdale)

The film is based on the true story of a community of Cistercian monks at the Monastery Notre-Dame de l’Atlas (Abbey of Our Lady of Atlas) in Tibhirine, Algeria. As you might imagine, my remarks here will reveal key details of the plot and references to the real historical events.

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Holy Thursday

On Holy Thursday, we visit St Peter’s Square and enter St Peter’s Basilica in Vatican City. We spend time in prayer at the Altar of the Crucifixion of Saint Peter; at the Chapel of the Sacrament; and at the Tomb of Saint Peter the Apostle underneath the Main Altar (Saint Peter’s Baldachin).

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“Mary arose and went with haste” — Luke 7:39

In July and August, I accompanied the Archdiocese of Cardiff and the Diocese of Menevia on a two-week pilgrimage to World Youth Day in Lisbon, Portugal. I acted as one of the Team Leaders joining over fifty other pilgrims on the journey, including Archbishop Mark O’Toole and five young pilgrims from St David’s Catholic Sixth Form College in Cardiff.

The first week was spent in the Diocese of Porto, exploring the rich cultural history and life of the Church from our local accommodation in the town of Aguda. Our second week was spent in Fàtima, where we visited key historical sites and welcomed Pope Francis to a public prayer service before the Shrine. The trip culminated in World Youth Day itself, a major event that hosted around 1.5 million pilgrims to a communal all-night vigil and Mass.

The pilgrimage was one of the most personally and professionally satisfying events of my life and career. I moderated a Q&A between pilgrims and the Archbishop where a range of challenging topics were discussed with patience, openness and nuance; and it was a privilege to lead an Examen in a Chapel of Reconciliation in Fátima itself. The places and people we encountered helped to broaden and deepen my understanding of the universal Church; the happy and excited atmosphere of some of the events was like nothing I have experienced before; and it was a joy and a reward to spend time building so many meaningful relationships with my fellow pilgrims. I will be forever grateful for this opportunity, and the many graces it has afforded.

Here are a few images from the trip.

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In A Hidden Life: Telling the Story of Saints, Mark Cooprider offers an accessible analysis of Terrence Malick‘s 2019 biopic of the Austrian conscientious objector St Franz Jägerstätter—executed in 1943 for his refusal to swear allegiance to National Socialism. Cooprider explores how Malick’s poetic narrative encompasses conventions of history, biography, myth, and legend, in ways akin to ancient Christian hagiography.

Note: Viewers interested in these connections may also seek out the work of academic Joel Mayward, for whom Malick’s distinctive approach to cinema can itself be considered a form of theology (or ‘theocinematics’).