“I’m always looking for something new. I don’t like to repeat myself. I want always to find something which is fresh.”
Polish composer and conductor
“There is a pervasive form of contemporary violence to which the idealist most easily succumbs: activism and overwork. The rush and pressure of modern life are a form, perhaps the most common form, of its innate violence. To allow oneself to be carried away by a multitude of conflicting concerns, to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything, is to succumb to violence. The frenzy of our activism neutralizes our work for peace. It destroys our own inner capacity for peace. It destroys the fruitfulness of our own work, because it kills the root of inner wisdom which makes work fruitful.”
— Thomas Merton, Conjectures of a Guilty Bystander
Analog. I grew up during a transitional phase when heavy analog technologies were being replaced by lighter, digital devices. A tactile nostalgia has since grown up around those cumbersome objects of the 1980s and 1990s. They have the charm of relics from a bygone age.
I am always fascinating to hear about the daily rituals of writers and creative people. Readers of this site might be familiar with previous posts on walking and improvisation, thinking, or Kierkegaard’s fondness for daily walks. And so, whenever I hear about writers who are also keen walkers, I’m always curious to know more.
This morning I read that the British spy novelist John le Carré, author of The Night Manager (1993) and Tinker Tailor Soldier Spy (1974) is one such writer. He talks of the pleasure he takes in perambulations around London, of finding inspiration in trains and cafés, and his preference for ‘drawing the words’ over using typewriters and word processors: (more…)
Neil Doshi and James McNaughton are putting together a panel entitled ‘International Beckett’ for next year’s ACLA conference at Universiteit Utrecht, Netherlands. The seminar will comprise 8-12 participants, meeting for 2 hours on each of the conference’s 3 days. You will present a 20 minute paper, and then have an opportunity to discuss your work with likeminded scholars and enthusiasts. (more…)
This sounds interesting. Tom Chadwick has been in touch about something he is organizing for next year’s ACLA conference at Universiteit Utrecht in the Netherlands. He and co-organizer Pieter Vermeulen are putting together a panel exploring the relationship between contemporary literature and the archive, and they want to hear from you! (more…)
“The Handmaid’s Tale was published in 1985 to overwhelming critical acclaim. It won the Governor General’s award for English-language fiction that year, and the inaugural Arthur C Clarke award in 1987. Often labelled a feminist dystopia, the novel captivates and terrifies in equal measure. Is Gilead the result of puritanism, misogyny and megalomania taken to their logical end? Is Atwood shooting readers a warning that this is where fanaticism and militarisation at the expense of humanity might lead?”
More at The Guardian.