I am both delighted and honoured to announce that RhysTranter.com has been selected by the British Library’s UK Web Archive “as an important part of Wales’ documentary heritage”. The site has become part of the repository’s permanent collection, where it will “remain available to researchers in the future”. The UK Web Archive is a partnership between the British Library, the National Library of Wales, and the National Library of Scotland.
Reflecting on the decision to pursue my vocation in art, service, and simple living
One year ago today I made a decision to change my life. A cardiology appointment prompted me to think more carefully about my lifestyle choices, and I became motivated to start living according to values of simplicity, humility, and compassion. (more…)
In an exclusive interview with People magazine in March 2018, legendary tenor saxophonist Sonny Rollins discussed the reissue of his 1957 album, Way Out West; the establishment of a Sonny Rollins archive; and the importance of diligent and continuous practice to his development as a player and composer:
“A lot of the people I grew up with in my early teens, we all wanted to be jazz musicians — but we didn’t have the talent. It was a gift. Music is a gift. Anybody can learn music, but it’s only a few people who have a gift that are really talented enough — especially these days — to make it in this highly competitive world. So it’s definitely a gift. However, you have to apply yourself, you have to work at it. I had a gift, but I didn’t explore it enough, I feel, and that’s why I was always the guy who practiced incessantly. I was always trying to catch up and learn things.”
Today marks International Women’s Day, which has commemorated the struggle for women’s civil rights throughout the twentieth century. The day was originally known as International Working Women’s Day, and for most of its history has been connected with socialist movements and communist states such as China and Soviet Russia. In the mid-1970s, during the height of Second Wave Feminism, the UN recognised International Women’s Day and invited its member states to do the same.
Zadie Smith Answers Questions from Fans:“Zadie Smith has been a vital literary voice since her first novel, White Teeth, became an instant bestseller. [In The Observer,] she answers questions from famous fans, including Teju Cole, Philip Pullman and Sharmaine Lovegrove, and a selection of our readers”
Rudy Van Gelder’s recording studio. Englewood Cliffs, New Jersey.
Rudy Van Gelder with Blue Note Records producer Alfred Lion.
Left to right: McCoy Tyner, Archie Shepp, John Coltrane and Bob Thiele, 10 December 1964. Photograph: Chuck Stewart
“Rudy Van Gelder’s recording studio in Englewood Cliffs was a longtime mecca for jazz musicians. It was the place where they created some of their greatest albums. Take a tour of this rarely seen studio where so much jazz history was made.” — NorthJersey.com
“It might have been about two years before the birth of tintinnabuli, in 1974, when Arvo and Nora Pärt met the icon painter Viktor Krivorotov in Georgia, who also dealt with creative psychology. And Nora asked for his advice. What can he do? How could he find a way out of this creative dead end? ‘And Krivorotov recommended experimenting with different types of art – precisely the ones you do not know or command. You just have to have the courage to do poorly and fail, and even have a certain impudence,’ Nora relates.
As the paper and canvas felt too demanding to paint on, at some point they arrived at flowerpots – ordinary clay pots that usually came with flowers. ‘And then I just waited for the flowers to dry, to get the pot,’ she continues. In the beginning it was only Nora who painted the pots with water-based paint, but one day Arvo too took a pot in his hands. ‘And what did he paint? Some sort of lines. Simple lines in different colours,’ Nora recalls. We will never know if it was painting that eventually got the composer’s creativity flowing again, but indeed it released something in him.”
Archival excavation and detailed contextualisation is becoming increasingly central to scholarship on literary modernism. In recent years, the increased – and often online – accessibility and dissemination of previously unpublished or little-known texts has led to paradigm-shifting scholarly interventions across a range of canonical and lesser-known authors, neglected topics, and critical methodologies including genetic criticism, intertextuality, book history, and historical documentation. This trend is only bound to increase as large-scale digitisation of archival materials gathers pace, and existing copyright restrictions gradually lapse.
These two book series have been at the forefront of this burgeoning trend, and this international conference will take stock of these developments. Above all, it will also point forwards, towards future avenues of research. The authors and editorial board members connected with the series will reflect upon the ‘state of the art’ regarding archive-based research within their particular sub-discipline, connecting this to Modernism Studies as a whole. The provisional paper titles listed below reflect their responses to this invitation. (more…)
Brian Eno, Apollo: Atmospheres & Soundtracks (1983)
“Ambient Music has arrived at middle age. 2018 marks 40 years since the release of Brian Eno’s Music For Airports, which effectively introduced the term. As a musical form it has endured, even though its sense of self as a genre has become arguably obfuscated at best and ineffectual at worst. Genres, like human beings, can undergo periods where direction and clarity are lacking. When such periods take hold in the middle years, a mid-life crisis can often occur. With that in mind, I am reconsidering ambient music and its place looking into the 21st century. What might ambient music’s next decade (let alone 40 years) be concerned with?”
“Tributes to artists often end up being more about the person writing them, but MES provided me with an alternative education, looping me into Camus, and Arthur Machen, and William Blake, and Can, and dub and old garage punk and rock’n’roll. I saw the Fall 52 times and without MES my life would have been utterly different and nowhere near as much fun. What on earth are we all going to do with ourselves now?”
“As the highlight of the 800th anniversary celebrations of the University of Salamanca, the oldest university in Spain, an extraordinary concert will be performed on 18 February 2018, with the world premiere of Arvo Pärt’s new a cappella composition, And I heard a voice… / Ja ma kuulsin hääle… as part of the programme.” — Arvo Pärt Centre
“American Utopia comes as part of Byrne’s ongoing ‘Reasons to Be Cheerful’ series in which he curates hopeful writings, photos, music, and lectures. ‘These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now,’ he said in a statement. ‘Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking.'”
The American jazz musician and composer talks to David Marchese at Vulture
What sorts of feelings did putting your archives in order stir up? That material is the stuff of your life, and now you’re giving it away.
I could say it put me in a reflective mood, but most of the archiving itself was done by someone else, and the truth is that my life has been in a reflective mode for some years now. Maybe my whole life has been in that mode. It’s gotten more that way since I became unable to blow by horn. That was hard. I’ve thought a lot about what I’ve done musically, what I could’ve done, what I might’ve done.
What’s the nature of those thoughts?
What’s the meaning of life? Why am I here? What am I supposed to be doing?
Have you come up with any answers?
You know, I listen to the radio a lot and there’s a guy that comes on and says, “Have a good day today and enjoy.” I hate the word “enjoy.” Because to me life is not about enjoyment or, in other words, getting for yourself. That’s not why we’re here. The reason of life, to me, is all about giving. Giving is what gives me happiness. Making somebody else happy is the greatest thing you can do. (more…)
Open Culture has shared a list of American writer, musician, and photographer Patti Smith‘s favourite books. Included among the 2008 list are titles by Mikhail Bulgakov, Hermann Hesse, Joseph Conrad, Charlotte Brontë, Nikolai Gogol,André Breton, Albert Camus and Virginia Woolf. Smith also lists a number of titles associated with the Beat Generation and other post-war American literature, including Allen Ginsberg, Jack Kerouac, William S. Burroughs, and J. D. Salinger. Mike Springer reproduces the complete list, with brief commentary, over at the Open Culture website.