In a 30-minute documentary produced in collaboration with the Arvo Pärt Centre, the composer discusses the significance of his personal diaries to the formation and development of his music.
“Any adversity makes artists move closer to what is important, essential. Only time can show what fruits will such a focusing on the essential bear.”
In a new interview, Estonian composer Arvo Pärt suggests what the coronavirus might mean for society and the arts. Source: Arvo Pärt Centre.
“I’m always looking for something new. I don’t like to repeat myself. I want always to find something which is fresh.”
Polish composer and conductor
“When I compose music, I don’t focus on the everyday collisions of life. I want to see it as a bird in flight, from a height, from an angle.”
Sad to learn that the Georgian composer
died today in his home city of Tbilisi.
— BBC News
“In the fall of 1956, the Soviet Union crushed an uprising in Hungary, swiftly ending an attempt to escape the superpower’s grip on the Eastern bloc. The Soviet tanks that rolled through Budapest also brought an end to the belief of many intellectuals and artists here in the ideals of Communism.
The Hungarian composer Gyorgy Kurtag, then 30, felt his whole world collapse that year. “Not just the outside world, but my inner universe, too,” he once said in an interview.
Mr. Kurtag spent the next two years in Paris, seeking new meaning for his life and work under the guidance of a psychoanalyst. He studied with the composer Olivier Messiaen, and heard the music of Anton Webern and Arnold Schoenberg at concerts given by Pierre Boulez. From the isolation of Communist Hungary, he had emerged into the West’s center of musical modernism.
It was in Paris during this period that Mr. Kurtag first saw Samuel Beckett’s play “Endgame.” The encounter set him on a lifelong journey, studying Beckett’s works and creating music inspired by them. Six decades later, on Nov. 15, this odyssey — and the career of one of the last living giants of 20th-century music — will culminate in Mr. Kurtag’s long-awaited, long-delayed first opera, based on “Endgame,” at the Teatro alla Scala in Milan.”