In recent months I have become increasingly interested in writers who discuss nature and the wilderness in their work. I have been keeping a mental note of several writers to consider, and was trying to decide between J.A. Baker‘s landmark work The Peregrine, Robert MacFarlane‘s The Old Ways, or a selection of John Muir‘s writing about his time in the Sierra Nevada. Then I was reminded of a book that my wife had read the previous year, and decided to read the opening couple of pages to get a sense of the prose. The book was Cheryl Strayed‘s memoir, Wild, and I was hooked. (more…)
The reasons for my decision
Back in June, I attended a cardiology appointment that had a profound impact on me. My meeting with the cardiologist was routine and I did not receive any alarming news, but I became aware of the fragility of my own body in a new way. As an infant I was diagnosed with a congenital heart condition, and my life had been saved by the UK’s National Health Service and the surgeons at Great Ormond Street Hospital in London. I have always felt grateful for the life-saving help that I received, and could talk superficially about my condition with friends and loved ones, but now I see that I was also prone to a form of denial. Throughout my adolescence and early adulthood I placed my heart condition to one side as I tried to establish an identity for myself. My routine appointments continued from year to year, but in my conscious mind and my behaviour I aimed to suppress what they represented with denial and distraction. This year marks the first time that I am fully and consciously aware that I have a congenital heart condition. And while there is no reason why I cannot live a full and happy life, I am now awake to the fact that I nearly didn’t survive infancy.(more…)
“Well, some of these old films I feel now that I was too impressed with movies I had seen and I only learned later on in my career that it was better not to refer to other movies but to refer to experiences you had on your own. The new films that were not really quoting other movies, I think I was happy with now in hindsight.”
— Wim Wenders, Collider
I recently had an opportunity to see David Lynch: The Art Life, a wonderful documentary about the American filmmaker David Lynch, directed by Jon Nguyen. The film offers unparalleled access to Lynch, and cobbles together a series of telling anecdotes about Lynch’s childhood in the suburbs, and his early days as a painter. ‘The Art Life’ refers to a lifestyle choice that Lynch adopted after reading Robert Henri’s book about painting, The Art Spirit: “The art spirit sort of became the art life, and I had this idea that you drink coffee, you smoke cigarettes, and you paint, and that’s it.” (more…)
In the thirty-seven years since its premiere, Stanley Kubrick’s The Shining (1980) has been the subject of heated debate. Based on a bestselling novel by Stephen King, the adaptation was dismissed by the author as ‘maddening, perverse, and disappointing’. His judgement was not unique. Critics and audiences alike found the film bewildering and strange, not knowing whether to take it as an art film or a low-brow horror shocker. Yet, as Roger Luckhurst points out in his excellent book, The Shining (BFI Classics, 2013), despite its chilly opening reception the film is now regarded as ‘one of the most admired horror films in cinema history’.
Luckhurst’s take on The Shining manages to pierce the lid on thirty years of critical discussion, and to yield a fresh perspective on one of cinema’s most discussed and perplexing films. The book addresses Stanley Kubrick’s status as a distinctive auteur filmmaker, but dismisses the tendency of critics to see deliberate intention in every move and gesture. Instead, Luckhurst reads The Shining within the broader cultural and historical context of late 1970s-early 1980s American culture. Insightful connections are made to films like The Amityville Horror (1979), The Omen (1976), Poltergeist and The Evil Dead (both released in 1982). Through its representation of prescient children, telepathy, and horror, Luckhurst reveals how The Shining expresses widely-held anxieties about traditional gender roles, the nuclear family, and histories of repressed trauma and violence. (more…)
What inspired you to write the book?
I have lived in Woking since 1971. Over time I became increasingly aware of the town’s links with H.G. Wells’ The War of the Worlds. Woking is the place where he researched, wrote and set the book. My house is located within one mile or so of both Horsell Common, where Wells’ Martians landed, and 141 Maybury Road, the house where Wells wrote the story. Apart from walking the trail of the story and reading his books, during the late 1980s I began researching Wells’ correspondence, most notably that held by archives at the University of Illinois at Urbana-Champaign, the Harry Ransom Center at the University of Texas at Austin, and Yale University Library. This research was basically undertaken out of personal interest rather than with a view to publication, since as a professor of history my principal areas of research and publication were the history of British foreign policy and international organisation. RAE pressures – my membership of the RAE History panel for the 1992 and 1996 RAEs made me acutely aware of these – left no time for other research topics. However, I taught a course at Kingston University on ‘Literature, Art and War 1860-1920’, and introduced The War of the Worlds as one of the war scare set texts alongside The Battle of Dorking. I began to write up my research about Wells’ The War of the Worlds only in 2012 after finishing two contracted books: Using history, making British policy: the Treasury and the Foreign Office, 1950-76 (2006) and Presenting History: Past and Present (2012). A further source of inspiration was my membership of a Woking Task Group set up in 2013 to organise a programme of events celebrating Wells’ links with Woking in 2016, a year marking the 150th anniversary of his birth and the 70th anniversary of his death. I represented the H.G. Wells Society on this task group. (more…)
I am delighted to announce that RhysTranter.com was recently selected as an Editors’ Pick on WordPress.com’s Discover. The site aims to curate ‘the best content on WordPress, collected for you by humans who love to read’.
The selected piece was a recent interview with Carolyn Cocca for her new book, Superwomen: Gender, Power, and Representation (Bloomsbury, 2016). Carolyn Cocca discussed how women superheroes are changing the we way think about contemporary femininity. You can read the full interview here.
A big thank you to the editorial team of WordPress Discover for featuring the site.
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