The editors of The New York Times Book Review choose the best fiction and nonfiction titles this year.
“The age of the sequel is over. Now it’s the age of the sequel to the sequel. Also the prequel, the reboot, the reunion, the revival, the remake, the spinoff and the stand-alone franchise-adjacent film. Canceled television shows are reinstated. Killed-off characters are resuscitated. Movies do not begin and end so much as they loiter onscreen. And social media is built for infinite scrolling. Nothing ends anymore, and it’s driving me insane.”
“What comes clear in interviews with more than two dozen former friends and colleagues from the various Factory spaces is that, from the start of a career that ended with his premature death at 58, the rabidly ambitious and deeply needy Warhol marshaled all that was paradoxical in his nature and put it to the service of the sustained piece of performance art that was his public self.”
“I have to deal with the fact that people walk through every exhibition, not just mine, with their phone in front of their face. What I think is going on is a sort of physical attention deficit, a new type of numbness. I think it’s a fair argument that there’s a sort of physical disconnect. But on the other side I see the increased democratisation of accessibility to culture and the demystifying of elitism in museums and of who owns the narrative. I would like to be positive, even though my art has lot to do with the phenomenology of tangibility. Now it’s up to me to find a way to react to that and come up with an answer to what is a revolution, whether I like it or not. The question is not whether I would consider making art where the phone is part of the experience, because the phone is a part of the work already, now I just need to find a way to deal with it.”
I really do think with my pen, for my head often knows nothing of what my hand is writing. MS 112 114:27.10.1931
Christianity is not a doctrine, not, I mean, a theory about what has happened & will happen to the human soul, but a description of something that actually takes place in human life. For ‘recognition of sin’ is an actual occurrence & so is despair & so is redemption through faith. Those who speak of it (like Bunyan), are simply describing what has happened to them; whatever gloss someone may want to put on it! MS 118 56r c: 4.9.1937
If I am thinking just for myself without wanting to write a book, I jump all around the topic; that is the only way of thinking that is natural to me. Forcing my thoughts into an ordered sequence is a torment for me. Should I even attempt it now??
I squander untold effort making an arrangement of my thoughts that may have no value whatsoever. MS 118 94v c: 15.9.1937
One cannot speak the truth; – if one has not yet conquered oneself. One cannot speak it – but not, because one is still not clever enough.
The truth can be spoken only by someone who is already at home in it; not by someone who still lives in untruthfulness, & does not more than reach out towards it from within untruthfulness. MS 162b 37r c: 1939-1940
Resting on your laurels is as dangerous as resting when hiking through snow. You doze off & die in your sleep. MS 162b 42v c: 1939-1940
Thoughts at peace. That is the goal someone who philosophizes longs for. MS 127 41v: 4.3.1944
Words are deeds. MS 179 27: ca. 1945
If people did not sometimes commit stupidities, nothing intelligent at all would ever happen. MS 131 219: 8.9.1946
Sculptor Antony Gormley talks to Tate and The Guardian about his early years squatting in various buildings across North London and warns against losing the city’s richness of texture and welcoming character.
“One of the most persistent myths in America today is that urban areas are innovative and rural areas are not. While it is overwhelmingly clear that innovation and creativity tend to cluster in a small number of cities and metropolitan areas, it’s a big mistake to think that they somehow skip over rural America.”
“The women of the historic Ninth Street Show had a will of iron and an intense need for their talent to be expressed, no matter the cost.”
“Wittgenstein’s grave is not easy to find. It is a flat stone bearing the words Ludwig Wittgenstein 1889 – 1951 in a sans serif modern font. It has the same stark simplicity as the Modernist house he designed for his sister in Vienna in the 1920s. The grave was recently restored: there is an interesting article with many photographs and details about the grave on the British Wittgenstein Society website. Ray Monk, the interviewee for this episode of Philosophy Sites, is the author of a justly celebrated biography, Ludwig Wittgenstein: The Duty of Genius.”
“Showtime [has] previewed its first Twin Peaks VR experience, which will be available for fans to buy on Steam for HTC Vive and Oculus Rift sometime in 2019. The demo, on display at the Festival of Disruption—a two-day event curated by Lynch where art, music and meditation intersect—immersed viewers into key scenes of the show. However, the full experience will eventually be a one-hour production created by Showtime and Collider, with guidance from Lynch himself.”
“Freud surrounded himself with visual sources of inspiration that made their way into his manuscript pages, confining the thousands of objects he stockpiled to the consultation room and study that constituted his workspace. The rest of his home was conventionally bourgeois, decorated with family photographs and fin-de-siecle furnishings. The Wolf Man later recalled that Freud’s study didn’t have the look of ‘a doctor’s office but rather of an archaeologist’s study.'”
The Beckett International Foundation at the University of Reading has announced that the next Beckett Research Seminar will take place on Saturday, 24 November 2018.
Tickets can be purchased on the door on the morning of the seminar, but they need to know numbers for catering so please email Mark Nixon at email@example.com by Thursday 15 November if you wish to attend. As such please notify the organiser if you have any dietary requirements.
The event will include talks by Julie Bates (Trinity College Dublin), Pim Verhulst (University of Antwerp), Lucy Jeffery, and Shane Weller (University of Kent). You can find out more about the event on the The Samuel Beckett Society website.
I am both delighted and honoured to announce that RhysTranter.com has been selected by the British Library’s UK Web Archive “as an important part of Wales’ documentary heritage”. The site has become part of the repository’s permanent collection, where it will “remain available to researchers in the future”. The UK Web Archive is a partnership between the British Library, the National Library of Wales, and the National Library of Scotland.
Find out more about the UK Web Archive.
“I will call Knausgaard’s kind of writing ‘itemisation’. We have, in postmodernity, given up on the attempt to ‘estrange’ our daily life and see it in new, poetic or nightmarish, ways; we have given up the analysis of it in terms of the commodity form, in a situation in which everything by now is a commodity; we have abandoned the quest for new languages to describe the stream of the self-same or new psychologies to diagnose its distressingly unoriginal reactions and psychic events. All that is left is to itemise them, to list the items that come by.”