“I’d rather reject the terms optimistic and pessimistic. They suggest a calculation of how things are going to evolve, and if it’s going to evolve in the way you want, you’re optimistic. That has very little to do with despair and hope. Hope is not a form of guarantee, it’s a form of energy, and very frequently that energy is strongest in circumstances that are very dark.”
— John Berger, who died on 2 January 2017.
Cardiff at night. I walk through the streets as the sun is going down, and I am reminded that these are the closing days of a decade. May the next ten years bring greater peace, hope and community to this wonderful city.
The poet and artist William Blake was born in Soho in London on 28 November 1757. His ‘Newton’ conveys the scientist as allegorical figure: absorbed by man-made geometry to the exclusion of the self and the wonders of the natural world. Blake’s poetic and artistic works became important cultural touchstones during a tumultuous period in Western history, but his words and images comprise social commentary and critique that still speaks to our times.
Richard Brody on the final film of the late Agnès Varda, who died in March at the age of ninety:
“The sublime originality of the work and the life of Agnès Varda, who died in March, at the age of ninety, provides her last film, “Varda by Agnès” (screening October 9th and 10th), with both its subject and its form. It’s a personal journey through her career, centered on a series of public lectures, interviews, and conversations that mesh with clips from her work—museum installations and videos as well as movies—and with staged sequences that provide a theatrical context for her reminiscences and reflections. “Varda by Agnès” is a fitting valedictory work that, in its retrospective illuminations, nonetheless pushes Varda’s own aesthetic relentlessly forward: it’s an exemplary illustration of the very concept of the auteur, of the director as prime creator, an idea which—though she was never a critic and never advanced it in theory—her body of work exemplifies as strongly as anyone’s has done, now or ever.”
Source: The New Yorker.
“In her notes, we see her honing her habit of attention, her sensitivity to shades of meaning and the music of language, her tropism toward writers with a talent for noticing.”
— Parul Sehgal reviews Essays One, a new collected volume from Lydia Davis. Read the review in The New York Times.
“Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.”
— John Berger, The Shape of a Pocket
“Commonplace things can be fascinating.”
― Tove Jansson, The Summer Book (trans. Thomas Teal)