A call to revisit and reclaim one of the 20th century’s most important thinkers
Cynthia L. Haven, Evolution of Desire: A Life of René Girard (2018)
Cynthia L. Haven, Evolution of Desire: A Life of René Girard (2018)

Cynthia L. Haven’s Evolution of Desire: A Life of René Girard is the first full-length biography of the acclaimed French thinker. Girard’s “mimetic theory” saw imitation at the heart of individual desire and motivation, accounting for the competition and violence that galvanize cultures and societies. “Girard claimed that mimetic desire is not only the way we love, it’s the reason we fight. Two hands that reach towards the same object will ultimately clench into fists.”

Often a controversial figure, Girard trespassed into many different fields — he was, by turns, a literary critic, an anthropologist, a sociologist, a psychologist, a theologian and much else besides. Haven’s biography is the first book to contextualize Girard’s work within its proper historical, cultural and philosophical context. The book presumes no prior knowledge, and includes several useful primers of the texts that established his reputation: Deceit, Desire, and the Novel (1961), Violence and the Sacred (1972), Things Hidden Since the Foundation of the World (1978), and his study of Shakespeare, A Theater of Envy (1991). But it is the author’s closeness to the man once described as “the new Darwin of the human sciences” that brings this fascinating biography to life.

Haven was a friend of Girard’s until his death in 2015, and met with family members, friends and colleagues closest to him to prepare for the book. She recalls a calm and patient man who was generous with his time. “I came to his work through his kindness, generosity, and his personal friendship, not the other way around.”

He lived with his wife, Martha, on the Stanford University campus, and followed a strict working routine: “Certainly his schedule would have made him at home in one of the more austere orders of monks. His working hours were systematic and adamantly maintained.” He began his day at his desk at roughly 3:30 in the morning, broke for a walk and relaxation sometime around noon, and spent his afternoons either continuing what he had begun that day or meeting his responsibilities to students.

One of the abiding questions that drives the book is how a man who appeared to lead such a quiet and ordered life was animated by some of the most troubling themes in human history.

Adopting the lively and accessible style of an investigative reporter, Haven looks to Girard’s formative experiences for an answer. The reader is along for the ride as she drives a rented Citroën through southern France, or pores over archival images and family photographs. Her research is rich in important and surprising details, and there are entertaining tidbits of juicy academic gossip along the way.

This extract is from my review of Cynthia L. Haven’s Evolution of Desire: A Life of René Girard, published in the San Francisco Chronicle, 1 July 2018.

Advertisements

As her debut collection draws both popular and critical acclaim, I caught up with Emily Blewitt to talk about poetry, labels, and contemporary women’s writing
emily-blewitt
Emily Blewitt. Photograph: Michael Willett

When did you begin writing?

On one hand, the answer to this question is: since I could write. I was always writing stories when I was a little girl. And reading – I was a very enthusiastic bookworm! I never intended to write poetry; I didn’t think I’d be able to, though I loved reading it. I didn’t see how I could write poetry; I didn’t know how to go about it. But when I was seventeen, for the first time I saw a contemporary poet in action. I heard Kate Clanchy perform her work, and she was brilliant. She showed me that poetry could be accessible, powerful, sexy, exciting. That was the seed, though I didn’t start writing poetry properly until my early twenties, after I signed up for some extra-curricular writing workshops during my Masters degree.

What is it about poetry that appeals to you? 

For me, poetry has an immediacy about it. It can speak to us forcibly and directly. It has truth (different from accuracy) and music to it. It can take us somewhere, and continue to do so, because it is so layered with possible meanings. It’s slight compared to, say, a novel, but it can pack a punch far above its weight. I love its rhythms, its urgency, its vitality, its power.  (more…)

Reflecting on the decision to pursue my vocation in art, service, and simple living

One year ago today I made a decision to change my life. A cardiology appointment prompted me to think more carefully about my lifestyle choices, and I became motivated to start living according to values of simplicity, humility, and compassion. (more…)

Rose early. Cool and clear morning. Went running around East Bute Dock (one lap). Reading Thomas à Kempis, Flannery O’Connor (her first published short story, ‘The Geranium’), and the diaries of Thomas Merton (describing his meeting with Zen scholar and practitioner D. T. Suzuki).

Robert Harrison has interviewed the American novelist and essayist Marilynne Robinson about her religious beliefs for Entitled Opinions, hosted by the Los Angeles Review of Books. Their conversation also touches on topics of grief, history, science, Freudianism, and the work of Ralph Waldo EmersonWalt WhitmanEmily Dickinson, and Edgar Allan Poe. Listen.