Christopher Carroll (The Wall Street Journal) traces Seamus Heaney’s connection to Book VI of the “Aeneid”, in light of his father’s death:
“[…] Heaney’s own translation of Book VI of the “Aeneid,” which he completed in July 2013, one month before he died. It is his last published poem, a poignant rendition of Aeneas’ arrival in Italy and journey into the underworld to see his dead father. And though it is beautiful in its own right, this portion of the “Aeneid” had a special significance for Heaney—one that began in his school days in the 1950s and lasted his entire life.”
More at The Poetry Foundation.
Euan Monaghan (LitHub) talks to the American writer, in an interview originally published in Structo Magazine
It’s not hard to see why Ursula K. Le Guin is best known for her early novels. In the space of six years came A Wizard of Earthsea (1968), The Left Hand of Darkness (1969), The Lathe of Heaven (1971) and The Dispossessed (1974). These books and many others—including Lavinia (2008), an astonishing take on Virgil’s Aeneid—have been a steady influence on authors of the imagination, notably Neil Gaiman, Terry Pratchett, David Mitchell, Salman Rushdie and Zadie Smith, who said that “Le Guin writes as well as any non-‘genre’ writer alive.” We talked at Le Guin’s home in Portland, Oregon.