Production designer and long-term Malick collaborator discusses working on Knight of Cups.
Peter Bradshaw (The Guardian)
After a publishing career of more than 50 years, Thomas Pynchon has finally allowed one of his novels to be filmed. Inherent Vice, which has been adapted and directed by Paul Thomas Anderson, is all about a stoner private detective named Larry “Doc” Sportello in 1970 southern California, called in by an ex-girlfriend to investigate the sinister disappearance of her married lover. It is an occult mystery upon which Doc attempts to shed light using the torch he still carries for her.
The resulting movie is a delirious triumph: a stylish-squared meeting of creative minds, a swirl of hypnosis and symbiosis, with Pynchon’s prose partly assigned to a narrating character and partly diversified into funky dialogue exchanges. Each enigmatic narrative development is a twist of the psychedelic kaleidoscope. (more…)