George Prochnik: I thought your film [The Grand Budapest Hotel] did a beautiful job of transposing Stefan Zweig’s actual life into the dream life of his stories, and the stories into the fabric of his actual life. You showed how his own experiences had a fairy-tale dimension, confectionary and black by turns. I wondered if you could say anything about these qualities and how Zweig became an inspiration for you.
Wes Anderson: I had never heard of Zweig — or, if I had, only in the vaguest ways — until maybe six or seven years ago, something like that, when I just more or less by chance bought a copy of Beware of Pity. I loved this first book, and immediately there were dozens more in front of me that hadn’t been there before. They were all suddenly back in print. I also read the The Post Office Girl, which had been only published for the first time recently. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself — our “Author” character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly on Zweig as well. (more…)