The Austrian filmmaker discusses his approach to adaptation in an interview with The Paris Review
michael-haneke
Michael Haneke

Luisa Zielinski (Interviewer)

Still, tell me a little more about the process of adapting literary works for the screen. The Piano Teacher isn’t the only example in your oeuvre. There’s also your made-for-TV adaptation of Kafka’s Castle. What struck me about the latter is that it’s almost aberrantly faithful to the novel.

Michael Haneke

The Piano Teacher was the only time I adapted a novel for the cinema, and that in itself was something of a coincidence. I didn’t write the script for myself, but for a friend who had acquired the rights. My friend tried for ten years to secure a budget for the film, but it didn’t work out. In the end, I was persuaded to direct the film myself, even though that hadn’t been my original intention at all. I agreed to do it on the condition that Isabelle Huppert play the lead role. And she did. (more…)