The second installment of The Directors Series’ examination of the films and careers of Joel and Ethan Coen. This half-hour documentary covers the Coens’ trio of “retro-surreal” period pictures made in the early 1990s: Miller’s Crossing (1990), Barton Fink (1991), The Hudsucker Proxy (1994).
“Instagram user Phil Grishayev, who we first learned about on Design Taxi, documents famous movie locations — the way they look then and now. He publishes a side-by-side comparison of scenes from popular films, and the occasional historic photo, revealing what’s different and, in some cases, how time stands still.”
Critics respond to Paul Thomas Anderson’s 2014 film, the first adaptation of a Thomas Pynchon novel
Peter Bradshaw (The Guardian)
After a publishing career of more than 50 years, Thomas Pynchon has finally allowed one of his novels to be filmed. Inherent Vice, which has been adapted and directed by Paul Thomas Anderson, is all about a stoner private detective named Larry “Doc” Sportello in 1970 southern California, called in by an ex-girlfriend to investigate the sinister disappearance of her married lover. It is an occult mystery upon which Doc attempts to shed light using the torch he still carries for her.
The resulting movie is a delirious triumph: a stylish-squared meeting of creative minds, a swirl of hypnosis and symbiosis, with Pynchon’s prose partly assigned to a narrating character and partly diversified into funky dialogue exchanges. Each enigmatic narrative development is a twist of the psychedelic kaleidoscope. (more…)