sam-shephard
In a recent essay published in Literary Hub, Madelaine Lucas shares her experience of reading Sam Shepard‘s personal notebooks at the Harry Ransom Center in Austin, Texas:

“In Sam Shepard’s notebooks there are lists of trees: cottonwood, dogwood, apricot, willow, polar, locust, crab apple, silver maple. There are guitar chords with Spanish lyrics, passages of prose that could be read as diary-entry confession or script, and unattributed quotations that might be lines picked-up from conversations overheard on the road or dialogue for a work-in-progress. In the back of one notebook, a photocopied review of Shepard’s 1983 play Fool for Love is folded up with an article about fly-fishing. Taped inside the dirt-red cover of another—a business card for Ray E. Ortiz ‘Horseshoeing’ in La Cienega. Between these pages, there is no separation between what makes up art and what makes up life.”

Literary Hub

sam-shephard
Sam Shepard

Sam Shepard‘s final work, Spy of the First Person, has been published this week by Knopf. In an early review for USA TodayJocelyn McClurg describes it as “an autobiographical work of fiction” with a “fragmentary, disjointed narrative”. McClurg goes on to offer a pithy summary suggesting a debt to the Irish writer, Samuel Beckett, calling Shepard’s novel “Waiting for Godot in the desert.” (more…)

sam-shepard-patti-smith

“In the winter of 2012, we met up in Dublin, where he received an Honorary Doctorate of Letters from Trinity College. He was often embarrassed by accolades but embraced this one, coming from the same institution where Samuel Beckett walked and studied. He loved Beckett, and had a few pieces of writing, in Beckett’s own hand, framed in the kitchen, along with pictures of his kids. That day, we saw the typewriter of John Millington Synge and James Joyce’s spectacles, and, in the night, we joined musicians at Sam’s favorite local pub, the Cobblestone, on the other side of the river. As we playfully staggered across the bridge, he recited reams of Beckett off the top of his head”

— Source: My Buddy: Patti Smith Remembers Sam Shepard | The New Yorker

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Yvonne Baby spoke to the American filmmaker in Paris on 17 May 1979. While Malick has often shunned the media spotlight, he spoke candidly about the process of making his 1978 film, Days of Heaven

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