Mark Kermode (The Observer) interviews the film’s director, Ben Wheatley
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Ben Wheatley

Set in a brutalist 70s “luxury” apartment block that becomes a twisted microcosm of society, High-Rise stars Tom Hiddleston as Dr Robert Laing, a smooth, slippery antihero who moves in just as the cracks of anarchy start to appear. While Jeremy Irons’s architect Anthony Royal lords it up in the penthouse, below him dog-eating chaos begins to reign, rising up in feral fashion, floor by floor. Despite their vast differences, there’s a connection between Zardoz and High-Rise, both of which are home-grown, sci-fi-tinged works rooted in the mid-70s. Ballard’s novel was published in 1975, the year after John Boorman’s dystopian epic provoked gales of laughter with scenes of Sean Connery climbing into a flying head to break into the plush world of “the Vortex”, wearing only a bright red posing pouch. Both depict a future in which a class-segregated society is teetering on the brink of collapse; both imagine lavish idylls and increasingly hellish environs existing side by side.

[…]

“I read High-Rise when I was about 17,” he says, “along with all the usual counterculture stuff: Naked Lunch, Fear and Loathing in Las Vegas. The thing about Ballard was that you could feel his radiation. He seemed scary, and dangerous, and that was why you had to read his books. I read Crash around the same time, and I remember thinking it had a turn of phrase that didn’t feel like anybody else. A way of looking at the modern world and making it alien. I read Hello America and The Drowned World and so on, all in a lump. But High-Rise kept returning…” (more…)

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William S. Burroughs in Paris

From BBC Radio 4:

Think of American writers in Paris and the chances are the first people to come to mind are the Lost Generation of the 1920s – Fitzgerald, Hemingway, Stein and friends. But a period every bit as significant in the development of American letters and the culture more broadly is often overlooked. (more…)

Why read a ‘difficult’ book?
Emily Temple (Flavorwire) has compiled a list of ’50 Incredibly Tough Books for Extreme Readers’. Their toughness varies from the sheer bulk of the volume (eg. Tolstoy’s War and Peace and Stein’s The Making of Americans), to their stylistic virtuosity (Finnegans Wake, anyone?). But despite their daunting reputations, there can be something special about reading a ‘difficult’ book.

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