From the British writer’s memoir, Miracles of Life: Shanghai to Shepperton
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Francis Bacon, Study after Velazquez’s Portrait of Pope Innocent X (1953)

In 1955 there was a modest retrospective of Francis Bacon’s paintings at the Institute of Contemporary Arts, followed in 1962 by a far larger retrospective at the Tate Gallery, which was a revelation to me. I still think of Bacon as the greatest painter of the post-war world. […]

Bacon’s paintings were screams from the abattoir, cries from the execution pits of World War II. His deranged executives and his princes of death in their pontiffs’ robes lacked all pity and remorse. His popes screamed because they knew there was no God. Bacon went even further than the surrealists, assuming our complicity in the mid-century’s horrors. It was we who sat in those claustrophobic rooms, like TV hospitality suites in need of a coat of paint, under a naked light bulb that might signal the arrival of the dead, the only witnesses at our last interview. (more…)

4th Estate releases beautiful contemporary editions of Ballard’s novels and short stories

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4th Estate have collaborated with the artist Stanley Donwood, known for his work with the rock group Radiohead, to produce a series of luminous, beautiful, surreal, and contemporary designs for 21 of J.G. Ballard’s works. Donwood is known for the way he playfully manipulates the signs and symbols of modern life, in colour and collage, and his signature style is ideally suited to Ballard’s aesthetic. The new editions, which come complete with a series of illuminating introductions, will welcome a whole new generation of readers to Ballard’s fantastical and prophetic worlds. Extremely impressive.

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