To celebrate his 80th birthday, Anastasia Tsioulcas (NPR) offers an overview of the life and career of Steve Reich, enriched by conversations with the composer himself. She begins by acknowledging the profound influence Reich has held on fellow musicians and composers, from Brian Eno to David Bowie to Radiohead, and as a result the contemporary musical landscape. The legacy of his work can be traced through pop, ambient, and avant-garde music.
In 2011, Tsioulcas talked to Reich about his experimental work “WTC 9/11”, a commemorative piece that “intersperse[s] emergency calls from first responders and air traffic controllers with the recollections of his friends and neighbors”. “WTC 9/11” also records and documents “the recollections of Jewish women who sat with victims’ remains and chanted psalms and other Biblical texts”. Tsioulcas draws attention to Reich’s use of recorded voice in other projects, such as Different Trains, and the complex role that religious faith, specifically Judaism, plays in Reich’s life and work. (more…)
“The Helvetica director [Gary Hustwit] is using Kickstarter to back ‘the world’s first feature documentary on legendary designer Dieter Rams’ and help preserve his design archive”
More at Creative Review.
“We disappear, and yet we resurface”
Around the time I began writing book reviews, I read that reviewing was “what lice will do, when they have no more blood to suck.” If so, the only blood I’ve ever tasted is mine. Early on, I already knew that my writing wasn’t entirely about the books “under review” so much as my internal “reading experience” – though that term might be misleading. In suggesting that my reviews reflect something of my “self,” I’m not about to recount my life story, let alone resort to that fashionable form, the “confessional” essay. On the contrary, literary subjectivity isn’t always aligned with autobiography. Right now, I’m writing this in the first person, but I perceive that person as a perfect stranger.
Put simply, I’ve never known who I am. Nor do I feel securely in sync with the world. I intersect with it at an abnormal angle – my link with life is dislocated. Of course, this condition isn’t uncommon. I mention it only to emphasize that an initial alienation led me to literature. Part of me is predisposed to treat reading as, to quote Houellebecq, a practice that pushes “against the world, against life.” At the same time, I don’t see reading as simply a passive escape from reality. As Kafka famously says, books can be “like a key to unknown chambers within the castle of oneself.” Reading is really a dual movement: books allow us to withdraw from the world, while bringing us back toward it. In reading we disappear, and yet we resurface. (more…)