Séan Richardson on a free new broadcast that sheds light on the cultural legacy of modernism

modernistpodcast-logo.jpgWhat is the Modernist Podcast?

The Modernist Podcast is a platform for ‘green’ academics to share their research with the wider community. We aim to bring critical discussion beyond the bindings of the journal and out from within the walls of the conference, into the airwaves and across digital media. We believe that this is a great way for researchers to have their voices heard early into their career, as well as disseminate their work to a broader audience, making scholarship more accessible to a diverse array of listeners. The podcast itself comes out monthly, and researchers are linked together by theme: from Queer Modernism to Modernism and Form, James Joyce to Modernism and Race. (more…)

Marjorie Perloff on the poet, playwright, novelist, futurist, feminist, designer of lamps, and bohemian
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Mina Loy
“I was trying,” Mina Loy observed in 1927, with reference to her polyglot, punning, scholastic, asyntactic, unpunctuated free-verse poems, “to make a foreign language, because English had already been used.” So distinctive was Loy’s “logopoeia” (the term Ezra Pound invented to describe this particular poet’s “dance of the intelligence among words and ideas”), that it has taken the better part of the century for her to be appreciated for what she was–one of the central avant-garde poets writing in English. Indeed, Roger Conover’s collection The Lost Lunar Baedeker is more than a new edition of Loy’s poetry; it is the only available edition of her collected (although by no means complete) works. Together with Carolyn Burke’s long awaited biography of the mysterious Mina Loy, the Farrar, Straus collection (subsequently cited as FS) is thus a major literary event.

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