“Don Draper’s got nothing on Matthew Weiner. Weiner, after all, is the creator, director, executive producer, and writer of one the the most esteemed prestige dramas ever to light up our living rooms: Mad Men. For this week’s New York Public Library Podcast, we’re proud to present Weiner in conversation with the wonderful author A.M. Homes, discussing writing the character’s inner life, what he realized about Don Draper after seven seasons, and Frank O’Hara.”
If you’re a struggling writer attempting to get your first project off the ground, Matthew Weiner has some reassuring life advice
I remember studying Samuel Taylor Coleridge’s poem “Kubla Khan” in high school. According to Coleridge, upon waking from a deep, opium-induced reverie, he recalled a vision and immediately wrote the 54 famous lines. But when we started doing the poetic analysis, it became clear that there was no way this poem came out all at once. It has this amazing structure. We learned from letters and notes that had been discovered that it was likely Coleridge had not only worked on “Kubla Khan” for several months, but that he also sent it to friends for feedback.
Artists frequently hide the steps that lead to their masterpieces. They want their work and their career to be shrouded in the mystery that it all came out at once. It’s called hiding the brushstrokes, and those who do it are doing a disservice to people who admire their work and seek to emulate them. If you don’t get to see the notes, the rewrites, and the steps, it’s easy to look at a finished product and be under the illusion that it just came pouring out of someone’s head like that. People who are young, or still struggling, can get easily discouraged, because they can’t do it like they thought it was done. An artwork is a finished product, and it should be, but I always swore to myself that I would not hide my brushstrokes. (more…)