harry-bertschmann

Harry Bertschmann started his art career exhibiting alongside Mark Rothko and Franz Kline. For the next 60 years, he painted in almost total obscurity. Now he wants to get discovered. The New York Times

The American writer tells Guardian Live audience how his vast novel developed

don-delillo-underworld“It was a fairly modest undertaking at first,” Don DeLillo told the Guardian live event, explaining how his 827-page novel came to be. “It was a novella – I assumed perhaps 50, 60 pages … I had an idea based on a newspaper headline that I saw when I realised it was 3 October 1991, the 40th anniversary of this famous game.” Visiting a local library to check the microfilm archive, he found that the front page of the New York Times was split perfectly in two, one half reporting the Giants’ win and the other the Soviet Union’s explosion of its first nuclear bomb. “So there it was, and once I saw it there was no escape.” (more…)

Excerpt from a recent biography published by Yale University Press that explores the life and work of the twentieth-century artist
Mark Rothko
Mark Rothko

Following his breakthrough into the art world, Marcus Rothkowitz seemed to build momentum, steadily lining up serious and interesting projects; however, as a New York artist, he still needed to establish a foothold. Despite his late start, by age thirty he could already boast about having his first solo exhibition, held at the Portland Museum of Art, followed within the next two years by shows in New York and Paris. In spite of these achievements, his public recognition remained elusive. All the same, these were years of critical importance to the artist’s emerging identity. Having gleaned the rudiments of the craft from various teachers in different institutions for four years, he joined the circle of Milton Avery, finding his place in this informal community that was reminiscent of the artists’ colonies of Pont-Aven and Giverny. For the next eight years, between vacations in Lake George, New York, and Gloucester, Massachusetts, complemented in New York by poetry reading nights and weekly figure painting workshops organized by Avery, Marcus R. would work alongside this group of fellow artists, benefiting from the master’s advice and the viewpoints of his peers. (more…)