Six autograph poems by Samuel Beckett (one unpublished) are up for auction at Sotheby's. These short works were among Beckett's 'mirlitonnades', short doggerel verse written on loose available scraps (eg. cigarette packets, envelopes, coasters, etc.) | https://t.co/K55hlNdy0Spic.twitter.com/n1P2FJQJ9y
The Beckett International Foundation at the University of Reading has announced that the next Beckett Research Seminar will take place on Saturday, 24 November 2018.
Tickets can be purchased on the door on the morning of the seminar, but they need to know numbers for catering so please email Mark Nixon at email@example.com by Thursday 15 November if you wish to attend. As such please notify the organiser if you have any dietary requirements.
The event will include talks by Julie Bates (Trinity College Dublin), Pim Verhulst (University of Antwerp), Lucy Jeffery, and Shane Weller (University of Kent). You can find out more about the event on the The Samuel Beckett Society website.
“In the winter of 2012, we met up in Dublin, where he received an Honorary Doctorate of Letters from Trinity College. He was often embarrassed by accolades but embraced this one, coming from the same institution where Samuel Beckett walked and studied. He loved Beckett, and had a few pieces of writing, in Beckett’s own hand, framed in the kitchen, along with pictures of his kids. That day, we saw the typewriter of John Millington Synge and James Joyce’s spectacles, and, in the night, we joined musicians at Sam’s favorite local pub, the Cobblestone, on the other side of the river. As we playfully staggered across the bridge, he recited reams of Beckett off the top of his head”
Call for Papers • Salzburg University, 17–21 July 2017
The International Flann O’Brien Society is proud to announce Acting Out: The IV International Flann O’Brien Conference, an international conference on the theme of performance, theatricality, and illusion in Flann O’Brien’s writing, hosted by the Department of English Studies at Salzburg University, 17-21 July 2017.
In recent years O’Brien’s writing has been foregrounded as an integral site for testing the rise of new modernist studies, as it troubles critical commonplaces about modernism itself by virtue of its ephemerality and parochial energies. Recent publications of out-of-print English and Irish-language columns, short stories, non-fiction, dramatic works for the stage, and teleplays for Raidió Teilifís Éireann have not only made O’Brien’s broader canon accessible to a new generation of scholars, but have also highlighted its importance to an understanding of modernism which ‘has grown more capacious, turning its attention to previously neglected forms’ (Rónán McDonald and Julian Murphet). (more…)