I see that Sony Classical has released an impressive new box set of Glenn Gould‘s unreleased 1955 renditions of Bach‘s Goldberg Variations. Andrew Clements weighs in on the exhaustive 8-disc collection:

“It constitutes detailed documentation of Gould’s quest for his ideal Bach performance – his obsession with every detail, his insistence on getting the articulation of every semiquaver in every bar exactly as he imagined it, sometimes to the audible exasperation of the producer, Howard Scott. There are multiple takes of every variation, each subtly distinct in tempo and nuance, from which the definitive performance as it eventually appeared on LP was later spliced together. Taken together they also demonstrate the unwavering virtuosity of Gould’s playing, and the startling clarity he seemed effortlessly able to bring to the densest contrapuntal textures.”

— Andrew Clements, The Guardian

An extract from one of Steiner’s literary reviews
I’ve been poring over a collection of George Steiner’s articles from The New Yorker magazine. It’s a fascinating selection that includes shrewd reflections on an impressive range of writers and thinkers. Among them are essays on Graham Greene, George Orwell, Jorge Luis Borges and Samuel Beckett. But for now, Steiner’s remarks on the work of Austrian writer Thomas Bernhard are catching my eye. Steiner was one of the first critics writing in America to recognize the significance of Bernhard’s work, and his 1986 essay for The New Yorker offers an insightful and enthusiastic appraisal…

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Glenn Gould: Remastered
Glenn Gould: Remastered

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