Some interesting parallels between the prophetic American writer and the AMC period drama
Anticipating the release of his 2010 novel, Point Omega, The Sunday Times interviewed Don DeLillo about his life and work, exploring some the American author’s ‘writing tics’, and making note of his contemporary relevance.
The article mentions AMC’s period drama Mad Men (which aired from 2007 to 2015), and it’s easy to see why it shares key thematic links with DeLillo’s work. Set in a New York advertising firm in the early 1960s, the show explores the consumerist manufacture of American aspirations with a sharp and ironic detachment. It has skillfully addressed the Kennedy assassination in a media climate of Cold War anxiety, and includes a cast of characters struggling with personal neuroses and societal repression. (more…)
“Writing also means trying to advance the art. Fiction hasn’t quite been filled in or done in or worked out. We make our small leaps.” — Don DeLillo, 1982
Keynote Speaker: John Duvall (Purdue University)
This one-day conference will address the state of fiction in contemporary American culture by focusing on the extensive oeuvre of Don DeLillo, from the 1970s to the present day and beyond. Shortly after the publication of The Names, DeLillo commented that fiction had not yet been ‘filled in,’ ‘done in,’ or ‘worked out.’ How do we read this thirty years later, in the shadow of not only DeLillo’s major works but also the events that have characterised our move into the Twenty-First Century? How have DeLillo’s small leaps between the New York of Players (1977) and the New York of Falling Man (2007) ‘filled in’ fiction? Has DeLillo’s pervasive influence across contemporary American culture ‘done in’ postmodernism? Is the novel in the Twenty First Century already ‘worked out’?(more…)