“Following on from their horror classics series selected by Guillermo Del Toro, Penguin US is publishing six hardcover science fiction and fantasy classics this fall with introductions from Neil Gaiman, and (more importantly!) brilliant typographic covers by Brooklyn-based Spanish designer Alex Trochut. Available in October, the finished covers will be foil on uncoated paper over board.”

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Richard B. Woodward (The Paris Review) pays tribute to the Oscar-winning sound designer who helped create the otherworldly environments of David Lynch’s Eraserhead and Blue Velvet
Alan Splet
Alan Splet
“It’s too bad Ronnie Rocket never got made,” says Alan R. Splet about one of several David Lynch scripts still tied to Dino De Laurentiis’s bankruptcy. “There was lots of heavy electricity, amplified power in the script. It went back more toward the Eraserhead side of things. Maybe David feels he’s moved beyond that.”

Splet starts to laugh nervously, almost maniacally, as he recites all the kinds of electricity he could produce if called upon by Lynch. “There’s snapping, humming, buzzing, banging, like lightning, shrieking, squealing …”

As the sound engineer who has worked with Lynch since The Grandmother, their AFI student film completed in 1969, Splet saves up noises that he thinks his friend will like and sends them along on cassettes for Lynch to use or enjoy. (more…)