Alberto Comparini (LARB) reviews a new study of the novel-essay and its place in modernity
“Hybrid genres,” and the questionable orthodoxy of traditional genres, are subjects that continue to vex literary theory. Consider Joris-Karl Huysmans’s Against Nature, Fyodor Dostoevsky’s The Brothers Karamazov, Thomas Mann’s The Magic Mountain and Doctor Faustus, Jean-Paul Sartre’s Nausea, or Robert Musil’s The Man without Qualities: What do these novels share? What kind of novels are they? Are these books truly novels, or are they another form altogether?