Calling for submissions to a new collection of essays, edited by Rob Reginio, David Houston Jones, and Katherine Weiss
Bram van Velde and Samuel Beckett, Galerie Maeght, Paris, 1975.
Bram van Velde and Samuel Beckett, Galerie Maeght, Paris, 1975.
We are seeking contributions for a volume on Samuel Beckett and contemporary art to be published by Ibidem Press, distributed by Columbia University Press, as part of their new Beckett in Company Series. We aim to collect essays on the intersection of contemporary art and the drama, poetry, and prose of Samuel Beckett as well as interviews with and new documentation by working artists who draw upon or are inspired by Beckett’s work. We are not seeking essays that cover Beckett’s study of painting, his art criticism, nor his connection to modern artists of the first half of the twentieth century. We hope this collection will open new ground in Beckett studies and in the study of contemporary art by tracing Beckett’s influence in the work of artists post-1945 until the present day.

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A new essay collection from Columbia University Press
Falsifying Beckett Essays on Archives, Philosophy, and Methodology in Beckett Studies, ed. Matthew Feldman (Columbia University Press)
Falsifying Beckett Essays on Archives, Philosophy, and Methodology in Beckett Studies, ed. Matthew Feldman (Columbia University Press)

The dozen essays brought together here, alongside a newly-written introduction, contextualize and exemplify the recent ’empirical turn’ in Beckett studies. Characterized, above all, by recourse to manuscript materials in constructing revisionist interpretations, this approach has helped to transform the study of Samuel Beckett over the past generation. In addition to focusing upon Beckett’s early immersion in philosophy and psychology, other chapters similarly analyze his later collaboration with the BBC through the lens of literary history. Falsifying Beckett thus offers new readings of Beckett by returning to his archive of notebooks, letters, and drafts. In reassessing key aspects of his development as one of the 20th century’s leading artists, this collection is of interest to all students of Beckett’s writing as well as ‘historicist’ scholars and critics of modernism more generally. [Read More]