“He said he wanted no posthumous publications. But on Thursday, more than over 30 years after his death, Michel Foucault had a new book, Confessions of the Flesh, published in France by Gallimard.” — The New York Times
Time Magazine makes comparisons between Ancient Rome and our current cultural and political climate.
Christopher Carroll (The Wall Street Journal) traces Seamus Heaney’s connection to Book VI of the “Aeneid”, in light of his father’s death:
“[…] Heaney’s own translation of Book VI of the “Aeneid,” which he completed in July 2013, one month before he died. It is his last published poem, a poignant rendition of Aeneas’ arrival in Italy and journey into the underworld to see his dead father. And though it is beautiful in its own right, this portion of the “Aeneid” had a special significance for Heaney—one that began in his school days in the 1950s and lasted his entire life.”
More at The Poetry Foundation.
“Mark Kurlansky has written wide-ranging histories of cod and salt. Now he has turned to another apparently insignificant, indispensable subject. […] The history of paper is a history of cultural transmission, and Kurlansky tells it vividly in this compact, well-illustrated book.”
More at The New York Times.
“Ferlinghetti calls to the poet-reader, addressing them as Whitman, Dickinson, Edna St. Vincent Millay, etc. — all famous writers, some of them queer. And that’s maybe apt, as it’s long been queer writers who have made the case for poetry as activism — even today, when their voices might no longer seem necessary and poetry is sometimes a punchline. Because even as their stories creep in from the margins, queer lives are not transformed into fairytales by marriage equality and the cooption of drag culture. Queer voices must still be heard, and poetry’s tradition of tribal truth-telling always has and continues to make it the perfect tool for the dissemination of those voices.”
More at Flavorwire.
Source: The Guardian.
The New York Times has more.
If you’re Epicurious, check out Catherine Wilson’s thoughts on the ancient philosopher over at OUP Blog.
Compare Holmes on his first meeting with Watson in A Study In Scarlet: “‘You have been in Afghanistan, I perceive.’ ‘How on earth did you know that?’ I asked in astonishment.’ ” When, at their next meeting, Holmes explains his deductions, the amazed Watson says, rightly enough, “You remind me of Edgar Allan Poe’s Dupin. I had no idea that such individuals did exist outside of stories.”
About the Book
What do Socrates, Hypatia, Giordano Bruno, Thomas More, and Jan Patocka have in common? First, they were all faced one day with the most difficult of choices: stay faithful to your ideas and die or renounce them and stay alive. Second, they all chose to die. Their spectacular deaths have become not only an integral part of their biographies, but are also inseparable from their work. A “death for ideas” is a piece of philosophical work in its own right; Socrates may have never written a line, but his death is one of the greatest philosophical best-sellers of all time.
Dying for Ideas explores the limit-situation in which philosophers find themselves when the only means of persuasion they can use is their own dying bodies and the public spectacle of their death. The book tells the story of the philosopher’s encounter with death as seen from several angles: the tradition of philosophy as an art of living; the body as the site of self-transcending; death as a classical philosophical topic; taming death and self-fashioning; finally, the philosophers’ scapegoating and their live performance of a martyr’s death, followed by apotheosis and disappearance into myth.
While rooted in the history of philosophy, Dying for Ideas is an exercise in breaking disciplinary boundaries. This is a book about Socrates and Heidegger, but also about Gandhi’s “fasting unto death” and self-immolation; about Girard and Passolini, and self-fashioning and the art of the essay. (more…)
In Vogue’s 1969 Christmas issue, Vladimir Nabokov offered some advice for teaching James Joyce’s “Ulysses”: “Instead of perpetuating the pretentious nonsense of Homeric, chromatic, and visceral chapter headings, instructors should prepare maps of Dublin with Bloom’s and Stephen’s intertwining itineraries clearly traced.” He drew a charming one himself. Several decades later, a Boston College English professor named Joseph Nugent and his colleagues put together an annotated Google map that shadows Stephen Dedalus and Leopold Bloom step by step. The Virginia Woolf Society of Great Britain, as well as students at the Georgia Institute of Technology, have similarly reconstructed the paths of the London amblers in “Mrs. Dalloway.” (more…)
Many wishing to make sense of wars in their own time have reached for The Iliad. Alexander the Great, perhaps the most flamboyantly successful soldier in history, slept beside a copy annotated by his tutor, Aristotle. “He esteemed it a perfect portable treasure of all military virtue and knowledge,” according to Plutarch’s biography. Simone Weil’s essay, “L’Iliade ou le poème de la force”, published in 1940, holds that “the true hero, the true subject at the centre of The Iliad is force”, which she defines as “that X that turns anybody who is subjected to it into a thing”. (more…)