“He said he wanted no posthumous publications. But on Thursday, more than over 30 years after his death, Michel Foucault had a new book, Confessions of the Flesh, published in France by Gallimard.” — The New York Times
Time Magazine makes comparisons between Ancient Rome and our current cultural and political climate.
Christopher Carroll (The Wall Street Journal) traces Seamus Heaney’s connection to Book VI of the “Aeneid”, in light of his father’s death:
“[…] Heaney’s own translation of Book VI of the “Aeneid,” which he completed in July 2013, one month before he died. It is his last published poem, a poignant rendition of Aeneas’ arrival in Italy and journey into the underworld to see his dead father. And though it is beautiful in its own right, this portion of the “Aeneid” had a special significance for Heaney—one that began in his school days in the 1950s and lasted his entire life.”
More at The Poetry Foundation.
“Mark Kurlansky has written wide-ranging histories of cod and salt. Now he has turned to another apparently insignificant, indispensable subject. […] The history of paper is a history of cultural transmission, and Kurlansky tells it vividly in this compact, well-illustrated book.”
More at The New York Times.
“Ferlinghetti calls to the poet-reader, addressing them as Whitman, Dickinson, Edna St. Vincent Millay, etc. — all famous writers, some of them queer. And that’s maybe apt, as it’s long been queer writers who have made the case for poetry as activism — even today, when their voices might no longer seem necessary and poetry is sometimes a punchline. Because even as their stories creep in from the margins, queer lives are not transformed into fairytales by marriage equality and the cooption of drag culture. Queer voices must still be heard, and poetry’s tradition of tribal truth-telling always has and continues to make it the perfect tool for the dissemination of those voices.”
More at Flavorwire.
Source: The Guardian.
The New York Times has more.