An incredibly relevant and perceptive article on the psychopathology of fascism
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J. G. Ballard

The psychopath never dates.

Hitler’s contemporaries – Baldwin, Chamberlain, Herbert Hoover – seem pathetically fusty figures, with their frock coats and wing collars, closer to the world of Edison, Carnegie and the hansom cab than to the first fully evolved modern societies over which they presided, areas of national consciousness formed by mass-produced newspapers and consumer goods, advertising and tele-communications. By comparison Hitler is completely up-to-date, and would be equally at home in the sixties (and probably even more so in the seventies) as in the twenties. The whole apparatus of the Nazi super-state, its nightmare uniforms and propaganda, seems weirdly turned-on, providing just that element of manifest insanity to which we all respond in the H-Bomb or Viet Nam – perhaps one reason why the American and Russian space programmes have failed to catch our imaginations is that this quality of explicit psychopathology is missing. (more…)

Nathaniel Rich (The Daily Beast) on the enduring appeal of DeLillo’s 1985 novel
How did the novel that Don DeLillo originally titled “Panasonic” become the phenomenon that was, and still is, White Noise? Canonized at birth by rhapsodic critics and instantly ubiquitous on college syllabi, the novel won the National Book Award and journalists hailed its publicity-shy author as a prophet.

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