“Back in the early 1990s, the British art world changed forever thanks to a band of bright young things that weren’t afraid of controversy, threw away the artworld rulebook and rewrote it in multimedia forms and tabloid headlines. Nearly 30 years on, and the likes of Damien Hirst and Tracey Emin remain some of the leading lights in contemporary British art. A new book from Thames & Hudson, Artrage details that blistering scene and looks at its place today.”
Sarah Marshall explores our continued fascination with one of the strongest female protagonists in the popular imagination
“People will say we’re in love,” Hannibal Lecter tells Clarice Starling in The Silence of the Lambs. The movie that made these characters into American icons turned 25 years old this February. More specifically, it celebrated its birthday on Valentine’s Day, the almost unbelievably ballsy release date director Jonathan Demme chose for his adaptation of Thomas Harris’ 1988 novel. Maybe it’s because of this particularly suggestive anniversary date that people really have spent the last 25 years saying exactly what Hannibal Lecter once predicted. In any case, it’s a shame that Hannibal and Clarice’s story has become—with Thomas Harris’ 1999 novel Hannibal and Ridley Scott’s 2001 film adaptation—something of a Byronic romance. In Demme’s The Silence of the Lambs, we find two characters searching for something far more elusive than limerence and luxury: mutual respect.
The New York Times looks back on the release of David Foster Wallace’s magnum opus
When his “Infinite Jest” came out 20 years ago, David Foster Wallace felt some anxiety about how his fully stuffed novel would be received. In an interview on the radio show “Bookworm” at the time, Wallace said: “This is the great nightmare, when you’re doing something long and hard, is you’re terrified that it will be perceived as gratuitously hard and difficult, that this is some avant-garde-for-its-own-sake sort of exercise.” (more…)