mark-kurlansky-paper-paging-through-history“Mark Kurlansky has written wide-­ranging histories of cod and salt. Now he has turned to another apparently insignificant, indispensable subject. […] The history of paper is a history of cultural transmission, and Kurlansky tells it vividly in this compact, well-illustrated book.”

More at The New York Times.

Ken Owen reviews the Broadway success of Lin-Manuel Miranda’s Hamilton as a reflection of “Founders Chic” and the cult of personality (Source)

An excerpt from Howard Zinn’s A People’s History of the United States

howard-zinn-a-peoples-history-of-the-united-states

Middle-class Americans might be invited to join a new elite by attacks against the corruption of the established rich. The New Yorker Cadwallader Colden, in his “Address to the Freeholders” in 1747, attacked the wealthy as tax dodgers unconcerned with the welfare of others (although he himself was wealthy) and spoke for the honesty and dependability of “the midling rank of mankind” in whom citizens could best trust “our liberty & Property.” This was to become a critically important rhetorical device for the rule of the few, who would speak to the many of “our” liberty, “our” property, “our” country.

Jennifer Dawn Whitney (DCRC) traces the history of our anxieties about robot technology

1950s-robot-toy

In contemporary Western culture, we often trace our relationship with automation and robotics to the Industrial Revolution – or, more recently – to a kind of American futurism rooted in the 1950s. Wedged between these two moments of modernity we find the word ‘robot’, which came into usage in the 1920s.

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Lara Feigel reviews Peter Boxall’s new book about the relevance of the novel in the 21st century

peter-boxall-value-of-the-novel

In his 1925 essay, “Why the Novel Matters”, DH Lawrence celebrated the novel as the “one bright book of life”. According to him, the novelist alone understands that there is as much life in the hand that writes as in the mind that thinks. Where science and philosophy privilege mind over matter, turning man into a “dead man in life”, the novel resurrects the “whole man alive”. Lawrence acknowledged that books do not constitute life, but insisted that they were “tremulations on the ether” that could make the whole man alive tremble into urgent being.

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Trinity College Dublin •  5–6 August, 2016
Samuel Beckett in London, 1979. Photograph: Paul Joyce
Samuel Beckett in London, 1979. Photograph: Paul Joyce
As suggested by his original title for More Pricks Than Kicks (1934), and proved by the pochades, roughs, foirades, and (un)abandoned works of his mature œuvre, works often presented by their author as being no more than the run-off from the creative process, Beckett was anything but put off by draff. The same can surely be said of the scholars who have long devoted themselves to studying Beckett’s aesthetic engagement with the seemingly worthless.

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David Sexton explores the lineage of one of modern literature and film’s most chilling villains in his critical study, The Strange World Of Thomas Harris
Thomas Harris, The Silence of the Lambs
Thomas Harris, The Silence of the Lambs
One of Lecter’s most obvious fictional precursors is Sherlock Holmes and before him, therefore, Poe’s Dupin. Many of Lecter’s observations are pure Holmes in style, if not content. As he tells Clarice: “‘You use Evyan skin cream, and sometimes you wear L’Air du Temps, but not today.'” On their next meeting, he detects a Band-Aid under her clothes.

Compare Holmes on his first meeting with Watson in A Study In Scarlet: “‘You have been in Afghanistan, I perceive.’ ‘How on earth did you know that?’ I asked in astonishment.’ ” When, at their next meeting, Holmes explains his deductions, the amazed Watson says, rightly enough, “You remind me of Edgar Allan Poe’s Dupin. I had no idea that such individuals did exist outside of stories.”
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Glenn Gould: Remastered
Glenn Gould: Remastered

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