SAMLA 85: Durham, NC Nov 13-15, 2015
Samuel Beckett. Photograph: John Minihan
Samuel Beckett. Photograph: John Minihan

The Samuel Beckett Society, Affiliated Session
Conference of the South Atlantic Modern Language Association (SAMLA)
Chair/contact: Michelle Rada, Brown University

This panel seeks to explore the ways in which bodies are figured and disfigured in Beckett’s work. On their own constituting an expansive “body of work,” Beckett’s prose texts, poems, plays, radio, television, and film works posit human, non-human, and inhuman bodies in different and often surprising forms. What kinds of bodies are incorporated, disembodied, or stripped bare in Beckett’s work? How can we trace the life, vulnerability, and survival of the body in single texts and across works? Are Beckettian physical and textual bodies susceptible to or immune from affect? Which bodies, metaphorical or otherwise, are excluded from consideration and care in a quite prolific archive of Beckett criticism? How does the body function and dysfunction across genre and media, prose and performance? The purpose of this panel is to provide a multidisciplinary platform for thinking about the body in Beckett’s work through emerging reading practices, which could engender new connections and ideas for such an extensively critiqued range of texts. In keeping with SAMLA’s theme for the 2015 conference, “In Concert: Literature and the Other Arts,” emphasis placed on thinking across genre, media, and theoretical approaches is encouraged, and will be a significant part of our conversation at this panel. (more…)

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Charlotte Higgins (The Guardian) on the continuing relevance of a 3,000-year-old poem

Many wishing to make sense of wars in their own time have reached for The Iliad. Alexander the Great, perhaps the most flamboyantly successful soldier in history, slept beside a copy annotated by his tutor, Aristotle. “He esteemed it a perfect portable treasure of all military virtue and knowledge,” according to Plutarch’s biography. Simone Weil’s essay, “L’Iliade ou le poème de la force”, published in 1940, holds that “the true hero, the true ­subject at the centre of The Iliad is force”, which she defines as “that X that turns anybody who is subjected to it into a thing”. (more…)