A conference at the University of York • 17-19 May 2018

This conference marks the publication of 30 books in the two book series Historicizing Modernism and Modernist Archives with Bloomsbury Academic.

Archival excavation and detailed contextualisation is becoming increasingly central to scholarship on literary modernism. In recent years, the increased – and often online – accessibility and dissemination of previously unpublished or little-known texts has led to paradigm-shifting scholarly interventions across a range of canonical and lesser-known authors, neglected topics, and critical methodologies including genetic criticism, intertextuality, book history, and historical documentation. This trend is only bound to increase as large-scale digitisation of archival materials gathers pace, and existing copyright restrictions gradually lapse.

These two book series have been at the forefront of this burgeoning trend, and this international conference will take stock of these developments. Above all, it will also point forwards, towards future avenues of research. The authors and editorial board members connected with the series will reflect upon the ‘state of the art’ regarding archive-based research within their particular sub-discipline, connecting this to Modernism Studies as a whole. The provisional paper titles listed below reflect their responses to this invitation. (more…)

Theme: Stuff, consumerism, waste, recycling, objects

Closes: Midnight 28 February 2018 (California, USA time).

New Philosopher

Call for Papers for an upcoming conference in Manchester, England, to take place from 6-7 April 2018. — British Association for Modernist Studies

Call for Papers • 4 July 2017 • MERL, University of Reading

Twentieth-Century British Periodicals: Words and Art on the Printed Page, 1900-1999

woman-and-home-periodicalCurrent scholarship on twentieth-century periodicals is moving beyond the study of the ‘little’ magazine and avant-garde publications. Many mainstream and specialist periodicals, including tabloids, broadsheets, illustrated newspapers, illustrated magazines, fashion magazines, ‘slick’ magazines, women’s magazines, art periodicals, trade and specialist periodicals, pulps, reviews, and political and campaigning magazines have yet to receive sustained critical attention.

This interdisciplinary one-day * conference, coordinated by Dr Kate Macdonald (University of Reading) and Emma West (University of Cardiff), will bring together scholars and collectors to discuss the magazines, newspapers, journals, dailies, weeklies, fortnightlies, monthlies and quarterlies of British cultural life in the pre-Internet twentieth century. The focus of the discussion will be on the producers and consumers of these ephemeral products, to attempt to map out their networks. By focusing on both words and images, this conference aims to bring the specialist collector and the art historian to the table, to share knowledge of commercial and artistic figures and movements with publishing and book historians. (more…)

Call for Papers • Salzburg University, 17–21 July 2017
Brian O'Nolan/Flann O'Brien
Brian O’Nolan/Flann O’Brien

The International Flann O’Brien Society is proud to announce Acting Out: The IV International Flann O’Brien Conference, an international conference on the theme of performance, theatricality, and illusion in Flann O’Brien’s writing, hosted by the Department of English Studies at Salzburg University, 17-21 July 2017.

In recent years O’Brien’s writing has been foregrounded as an integral site for testing the rise of new modernist studies, as it troubles critical commonplaces about modernism itself by virtue of its ephemerality and parochial energies. Recent publications of out-of-print English and Irish-language columns, short stories, non-fiction, dramatic works for the stage, and teleplays for Raidió Teilifís Éireann have not only made O’Brien’s broader canon accessible to a new generation of scholars, but have also highlighted its importance to an understanding of modernism which ‘has grown more capacious, turning its attention to previously neglected forms’ (Rónán McDonald and Julian Murphet). (more…)

Call for Papers • Tennessee Philological Association Conference,  23-25 February 2017
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TPA Panel: Samuel Beckett’s Bodies of Water. Design: Rhys Tranter
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Samuel Beckett

In Samuel Beckett’s canon, water is a recurring image. In his radio play, Embers, the protagonist Henry tells us that he is sitting by the ocean, in his stage play Endgame Nagg and Nell remember nearly drowning in Lake Como, and in his tour de force stage and later television play, Not I Mouth refers to the narrative gushing from her mouth as a “steady stream.” Water in these and other works by the Nobel Prize winning author is both a location and a metaphor; it is aligned with happy memories and danger, with transition and stasis, with the beginning and the end.

Professor Katherine Weiss is seeking scholars interested in exploring the images of bodies of water in Beckett’s canon to be considered for a panel proposal to the 2017 Tennessee Philological Association Conference to be held in Johnson City, TN during 23-25 February 2017. For more about TPA, visit their website.

Abstracts should be no more than 250 words. To submit, please email Professor Katherine Weiss weisk01@etsu.edu with your abstract by 7 November 2016.

A call for papers for a panel at the upcoming ACLA conference in Utrecht, July 2017
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Samuel Beckett’s passport photographs.

Neil Doshi and James McNaughton are putting together a panel entitled ‘International Beckett’ for next year’s ACLA conference at Universiteit Utrecht, Netherlands. The seminar will comprise 8-12 participants, meeting for 2 hours on each of the conference’s 3 days. You will present a 20 minute paper, and then have an opportunity to discuss your work with likeminded scholars and enthusiasts. (more…)

A call for papers for a panel at the upcoming ACLA conference in Utrecht, July 2017


This sounds interesting. Tom Chadwick has been in touch about something he is organizing for next year’s ACLA conference at Universiteit Utrecht in the Netherlands. He and co-organizer Pieter Vermeulen are putting together a panel exploring the relationship between contemporary literature and the archive, and they want to hear from you! (more…)