A conference at the University of York • 17-19 May 2018

This conference marks the publication of 30 books in the two book series Historicizing Modernism and Modernist Archives with Bloomsbury Academic.

Archival excavation and detailed contextualisation is becoming increasingly central to scholarship on literary modernism. In recent years, the increased – and often online – accessibility and dissemination of previously unpublished or little-known texts has led to paradigm-shifting scholarly interventions across a range of canonical and lesser-known authors, neglected topics, and critical methodologies including genetic criticism, intertextuality, book history, and historical documentation. This trend is only bound to increase as large-scale digitisation of archival materials gathers pace, and existing copyright restrictions gradually lapse.

These two book series have been at the forefront of this burgeoning trend, and this international conference will take stock of these developments. Above all, it will also point forwards, towards future avenues of research. The authors and editorial board members connected with the series will reflect upon the ‘state of the art’ regarding archive-based research within their particular sub-discipline, connecting this to Modernism Studies as a whole. The provisional paper titles listed below reflect their responses to this invitation. (more…)

Theme: Stuff, consumerism, waste, recycling, objects

Closes: Midnight 28 February 2018 (California, USA time).

New Philosopher

Call for Papers for an upcoming conference in Manchester, England, to take place from 6-7 April 2018. — British Association for Modernist Studies

Call for Papers • 4 July 2017 • MERL, University of Reading

Twentieth-Century British Periodicals: Words and Art on the Printed Page, 1900-1999

woman-and-home-periodicalCurrent scholarship on twentieth-century periodicals is moving beyond the study of the ‘little’ magazine and avant-garde publications. Many mainstream and specialist periodicals, including tabloids, broadsheets, illustrated newspapers, illustrated magazines, fashion magazines, ‘slick’ magazines, women’s magazines, art periodicals, trade and specialist periodicals, pulps, reviews, and political and campaigning magazines have yet to receive sustained critical attention.

This interdisciplinary one-day * conference, coordinated by Dr Kate Macdonald (University of Reading) and Emma West (University of Cardiff), will bring together scholars and collectors to discuss the magazines, newspapers, journals, dailies, weeklies, fortnightlies, monthlies and quarterlies of British cultural life in the pre-Internet twentieth century. The focus of the discussion will be on the producers and consumers of these ephemeral products, to attempt to map out their networks. By focusing on both words and images, this conference aims to bring the specialist collector and the art historian to the table, to share knowledge of commercial and artistic figures and movements with publishing and book historians. (more…)

Call for Papers • Salzburg University, 17–21 July 2017
Brian O'Nolan/Flann O'Brien
Brian O’Nolan/Flann O’Brien

The International Flann O’Brien Society is proud to announce Acting Out: The IV International Flann O’Brien Conference, an international conference on the theme of performance, theatricality, and illusion in Flann O’Brien’s writing, hosted by the Department of English Studies at Salzburg University, 17-21 July 2017.

In recent years O’Brien’s writing has been foregrounded as an integral site for testing the rise of new modernist studies, as it troubles critical commonplaces about modernism itself by virtue of its ephemerality and parochial energies. Recent publications of out-of-print English and Irish-language columns, short stories, non-fiction, dramatic works for the stage, and teleplays for Raidió Teilifís Éireann have not only made O’Brien’s broader canon accessible to a new generation of scholars, but have also highlighted its importance to an understanding of modernism which ‘has grown more capacious, turning its attention to previously neglected forms’ (Rónán McDonald and Julian Murphet). (more…)

Call for Papers • Tennessee Philological Association Conference,  23-25 February 2017
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TPA Panel: Samuel Beckett’s Bodies of Water. Design: Rhys Tranter
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Samuel Beckett

In Samuel Beckett’s canon, water is a recurring image. In his radio play, Embers, the protagonist Henry tells us that he is sitting by the ocean, in his stage play Endgame Nagg and Nell remember nearly drowning in Lake Como, and in his tour de force stage and later television play, Not I Mouth refers to the narrative gushing from her mouth as a “steady stream.” Water in these and other works by the Nobel Prize winning author is both a location and a metaphor; it is aligned with happy memories and danger, with transition and stasis, with the beginning and the end.

Professor Katherine Weiss is seeking scholars interested in exploring the images of bodies of water in Beckett’s canon to be considered for a panel proposal to the 2017 Tennessee Philological Association Conference to be held in Johnson City, TN during 23-25 February 2017. For more about TPA, visit their website.

Abstracts should be no more than 250 words. To submit, please email Professor Katherine Weiss weisk01@etsu.edu with your abstract by 7 November 2016.

A call for papers for a panel at the upcoming ACLA conference in Utrecht, July 2017
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Samuel Beckett’s passport photographs.

Neil Doshi and James McNaughton are putting together a panel entitled ‘International Beckett’ for next year’s ACLA conference at Universiteit Utrecht, Netherlands. The seminar will comprise 8-12 participants, meeting for 2 hours on each of the conference’s 3 days. You will present a 20 minute paper, and then have an opportunity to discuss your work with likeminded scholars and enthusiasts. (more…)

A call for papers for a panel at the upcoming ACLA conference in Utrecht, July 2017


This sounds interesting. Tom Chadwick has been in touch about something he is organizing for next year’s ACLA conference at Universiteit Utrecht in the Netherlands. He and co-organizer Pieter Vermeulen are putting together a panel exploring the relationship between contemporary literature and the archive, and they want to hear from you! (more…)

A one-day symposium at the Institute of English Studies, London • 12 December 2016

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About the conference

Counter to the conventional perception of modernism as ahistorical, there have been recent academic and critical efforts to historicise it. The Historical Modernism Symposium seeks to contribute to this  trend by inviting readings of modern/ist literature and avant-garde art movements in the historical contexts of their production and reception, while assessing their entanglement with history and modernity transnationally.

The symposium aims to look at the history of modernism and the avant-gardes in relation to and their place in (literary and art) History, addressing questions of their relation with modern times, raised, for example, by colonialism; nationalism; globalisation; economics; politics; tradition; technology; urbanism, classicism; mythology; mysticism; religion; psychology/psychoanalysis.

Moreover, and importantly, it will examine pertinent philosophies of time, historiographical practices and representations of local and world historical events, such as the two World Wars, the Russian  Revolution and the rise of Fascism.

Finally, it will also investigate modernist concepts of the spirit of the times as well as new notions of and approaches to literary history. (more…)

Sussex University • 28 September 2016

Fail Better samuel beckettAs a supplement to the publication of Excursions Vol. 7, Excursions Journal is holding a one-day interdisciplinary symposium on the theme of ‘Failure’.

The concept of failure is gaining traction as a subject of critical attention. Our recent history has been defined by significant and far-reaching failures: from the failure of the U.S. and U.K. governments to find weapons of mass destruction in Iraq, to the more recent collapse of global financial markets. In the wake of events such as these, the viability of old models of ‘success’ and ‘failure’ has been called into question. Can we resituate failure as not merely an absence, a lack of success, but rather as a category in its own right? Whether figured as a fundamental aspect of modernity, a distinct aesthetic for artistic production, or, as the queer theorist Jack Halberstam has argued, a radical alternative to the restrictive, success-oriented norms of our society, we are faced with the possibility that failure might have a value of its own. (more…)

Call for submissions to a forthcoming edited collection

About the Proposed Collection

This landmark Companion aims to define the academic field of literature and art history. It is the first volume of its kind to comprehensively survey, question, and attempt to organize, interdisciplinary research across these richly inter-related arts. The book is aimed at literature and art history students, as well as at academics and practitioners, who are interested in mapping out intersections between literature, the visual arts, and their respective academic disciplines. (more…)

Brief Encounters, an open-access peer-reviewed postgraduate journal, which showcases the interdisciplinary research of CHASE funded and affiliated scholars, staff, and non-HEI partners [Read More].

22 October 2016 • Liverpool John Moores University

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A collection of women’s and girls’ periodicals, Femorabilia comprises two-thousand British publications (and more than ninety titles) from every decade of the twentieth century. Femorabilia will be available to view in a hands-on study session. (more…)

The Modernist Review is designed to provide a platform for scholars and others with a keen interest in modernism to share emerging work across a range of interests. (Source: British Association for Modernist Studies)Save

Call for Papers for a conference to be held in Vienna, 29 September–1 October 2016. Source: British Association for Modernist Studies.