“Ambient Music has arrived at middle age. 2018 marks 40 years since the release of Brian Eno’s Music For Airports, which effectively introduced the term. As a musical form it has endured, even though its sense of self as a genre has become arguably obfuscated at best and ineffectual at worst. Genres, like human beings, can undergo periods where direction and clarity are lacking. When such periods take hold in the middle years, a mid-life crisis can often occur. With that in mind, I am reconsidering ambient music and its place looking into the 21st century. What might ambient music’s next decade (let alone 40 years) be concerned with?”