“In one of his novels, [Robert] Walser’s protagonist adopts the motto “To be small and to stay small.” Walser, who receded from literary society in Berlin, who receded from the novel to shorter forms (stories, poems), finally writing his “microscripts” in a small room in a Swiss sanatorium. (The microscripts were first deciphered in 1972 and only recently translated into English; on one, an entire short story and a poem occupy the space of a postcard, with ample room to spare.)
Walser’s miniscule handwriting appeared at first to me as a further reduction of the miniscule hand of his admirer Walter Benjamin, whose writing I knew from reproductions of his meticulously kept notebooks. Benjamin, with his elaborate system of notebooks, his great care taken in selecting stationery and writing instruments, and who—despite writing voluminously throughout his lifetime—only published one full book (excluding his dissertation), a collection of fragments and aphorisms.
In a letter to a friend, Walser wrote that he developed his “pencil method” to get over his writer’s block. I wonder how this seemingly inscrutable handwriting helped protect him from writer’s block. Did it free him from doubt somehow? The manuscripts appear confident and without corrections. Was this because he knew they could not (or not without great difficulty) be read by another? That in this mode, his writing became a private writing?”
— John Vincler, The Daily, The Paris Review