“[Chinua] Achebe’s essay helped explain what I had found repellent in Conrad’s work and why I’d stopped reading him. In the novels set in the outer reaches of European empire the native characters always seemed to merge with their environment, reminiscent of the Hegelian image of Africa as a land of childhood still enveloped in the dark mantle of the night. I accepted everything Achebe said about Conrad’s biases.
And yet, I could not wholly embrace Achebe’s overwhelmingly negative view of ‘Heart of Darkness’ or Conrad in general. Somehow, the essay failed to explain what had once attracted me: Conrad’s ability to capture the hypocrisy of the “civilizing mission” and the material interests that drove capitalist empires, crushing the human spirit. [In The Dawn Watch: Joseph Conrad in a Global World, Maya Jasanoff] does not forgive Conrad his blindness, but she does try to present his perspective on the changing, troubled world he traveled, a perspective that still has strong resonance today.”
— Ngugi wa Thiong’o, The New York Times